I've been batting around the idea of "black internationalism."This is a continuation of an earlier post thinking about internationalism in general. I had casually defined it as the way people of African descent (particularly American, since that's what I study) relate to the world outside of their own country. Pan-Africanism would be a sub-theme within black internationalism, but so would students going to graduate school in Europe when they were barred from American universities, or black soldiers being posted in Europe or Asia (who could be like Colin Powell, who is not a race-first thinker).
Eslanda Goode Robeson, wife of Paul Robeson, and newly taking a commanding lead in my book, said that before she spent ten years in Europe, she didn't know anything of Africa. It was only being in Britain, hearing news of the colonies, and interacting with visiting African students and dignitaries that her interest in her "old country," as she came to call Africa, was piqued. I'm trying to decide if there is a thesis for the book lying in those words (i.e., I would move from Juliette Derricotte's Christian Internationalism of the 1920s to Eslanda Robeson's black internationalism of the 1930s) or if it is the individual experience of a single person. In this case, I'm adopted Gallicchio's definition. The problem here is that I would be defining the transition towards a focus on common-cause with colonized people as happening in the 1920s, whereas these other authors place the transition earlier.
Du Bois's leadership has an important place in defining the transition, because he was an early adherent to and prophet of the idea of the "color line." I guess part of my question is to what extent did Du Bois' ideas influence those around him and the readers of the Crisis. Derricotte in particular represents a nice halfway point, because in her letters she is sometimes allied with other people of color and sometimes with western culture as epitomized by Britain.
More thinking needs to be done.
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