Jumat, 06 April 2012

Advertisements for Myself (and my group?)

In the essay that opened his notorious book, "Advertisements for Myself," an irrepressible 36-year-old Norman Mailer admitted that he had been running for president (in his mind) for ten years and his evident failure to win had left him "with the bitter exhaustions of an old man, and the cocky arguments of a bright boy." Such a description sounds apt for our collective efforts at this blog, especially in light of the reception of Jim Livingston's recent book, Dan Wickberg's critique of MIH's forum on the state and future of U.S. intellectual history, and the plight of many of my colleagues whose work should have earned them employment in the academy and in positions of greater consequence. Yes, I too probably sound a bit cynical (is it any great secret that many of us feel this way?), but I have also found great satisfaction in being part of an undeniably bright intellectual community here.

Dan Wickberg's essay on the MIH forum stands on its own as a fine critical work--it is worth reading just as the essays in MIH are worth reading; just as Jim Livingston's work is worth engaging and the critics of his work (well, some of them) are worth hearing out. It seems to me that among the most interesting insights gleaned from the exchanges posted by Wickberg and Livingston is that by appearing on this blog and, by direct extension, I think, at the annual conference sponsored by this group, they have proposed an outlet for thinking about the community of intellectual historians that exists, at times, in contrast to, and at other times, in partnership with, the kind of community organized in the MIH forum.

But what if this particular blog did not exist? Would we get an adequate chance to consider Wickberg's critique?

Wickberg observes that the MIH forum itself suggests an example of intellectual community that serves as a model for how to do intellectual history--fusion is the model. The posting of his essay on this blog suggests another model. This blog is also a fusion, but not of historical fields but between the virtual and the real. This is a place where intellectual historians (emerging and emerged) offer a body of work to be discussed by graduate students and senior scholars without pretense that they serve as an official organ for the field. This blog is another intellectual community that stands in contrast (but not necessarily in opposition) to the traditional way of demonstrating how intellectual history is done and is relevant.

To state this as fact requires recognizing an essay that I find reminiscent of Mailer's in the best possible way. In January 2007, Tim Lacy offered: "US Intellectual History: A Call to Action." This blog has been a surprising consequence of that charge.

Tim understood that there would be a tension between the bright hopes of rejuvenating intellectual history and the Quixotic nature of the campaign itself. But his idea has succeeded in a somewhat unorthodox way. In a world where academic status and the reception of publications can make one's career, we cultivated a virtual world out of necessity. After all, there is an undeniable connection between those intellectual historians who are prominent and the prominence of the models those intellectual historians offer. The contrast between the virtual world of this blog and the world represented by the MIH forum echoes a key passage from Wickberg's critique. In the paragraph that demonstrates Wickberg's central concern, he argues:

"While all of these historians are open to thinking in terms of intellectual contexts, the general emphasis is on institutional, social, and public life as the forum in which ideas count; the historian is less concerned with showing how ideas shape one another, and more with the actions of specific persons who use ideas as tools to achieved [sic] various ends. The conscious public use of ideas, for instance, for these historians is much more important than the shared and under-articulated common assumptions of a body of discourse. Sometimes the question is not an either/or question, but more a matter of emphasis—and the emphasis falls squarely on the kind of intellectual history that has been front and center since Wingspread."

Without this blog, how do we articulate in an effective way this issue of emphasis? What I find especially revealing in posts from Wickberg and Livingston, not to mention the regular bloggers here, is that a new context for the operation of U.S. intellectual history has grown fully conscious of, though not in devotion to, the institutional, social, and public life of U.S. intellectual history as produced by a forum like that in the MIH.

Again, Wickberg's critique stands on its own merits as a statement in response to the ideas in the MIH forum. But the posting of Wickberg's piece here provides an occasion to consider how the practice of U.S. intellectual history understands itself. I thank Tim Lacy for getting that conversation started, and I look forward to development of that conversation as posts like Wickberg's continue to appear.

Kamis, 05 April 2012

Palgrave Pivot

Chris Chappell, Senior Editor of History at Palgrave Macmillan, wrote to inform me about an exciting new publishing program, Palgrave Pivot. Chappell wrote that in "the last few years there's been resurgent interest in a scholarly format that is between a journal article and a conventional monograph in length. Palgrave Pivot is really the first systematic publishing initiative for books of this kind. Naturally, all titles will be available in both print and electronic formats, and will be affordably priced. All titles will be peer-reviewed, of course, and published within around three months of acceptance. We're actively seeking projects of around 25-45,000 words to include in this year's inaugural release."

Rabu, 04 April 2012

Using comedy to discuss race post-Civil Rights Movement

This is a strange week in my intellectual history class. First of all, I had class at 9:30 the morning after the Cats won the national championship. My students were in the crowd in the photo, so I gave them the option to do a reading/writing assignment or come to class. Six out of 35 showed up and a couple have since emailed me their assignment. Originally, I had devoted this week to discussing race post-Civil Rights Movement. I was going to discuss  Oprah/Cosby Tuesday and Richard Pryor/Dave Chappelle Thursday. When I asked you all for feedback on my syllabus, you pointed out that I discussed religion in the 19th century but not the 20th, so I removed Oprah/Bill Cosby and replaced it with a discussion of the rise of the Christian Right and Left. That means this week is composed of an Easter sermon to six folks on Tuesday and day of profanity on Thursday. Yay!



I'm watching Richard Pryor to decide which clip to use. I'm thinking about using the clip in "Richard Pryor on the Sunset Strip" about his trip to Africa and decision not to use the "N-word" anymore, maybe connected to an earlier clip with him using the word. I wonder if it's too obvious, but sometimes what seems obvious to me is revelatory to students. Other clips are of him performing blackness and masculinity in interesting ways. I've been reading this book, Richard Pryor: The Life and Legacy of a "Crazy" Black Man, for inspiration.

"'The Motherland' leads into the 'N-Word' part of the routine and Pryor begins to tell of his epiphany that there were no niggers in Africa. The significance is that at this point in his career the use of 'nigger' has come full circle, from the militant, uncompromising use of it in the reinvention of himself in the early '70s--from the owning of it--to the rejection of it as a descriptor of blackness. Within the figuration of blackness in Pryor's body of work, this moment is more than a staging of black pride. The 'N-Word' routine disrupts the significatory possibilities of the trope of 'nigger.' By this I mean that in his earlier routines 'nigger' is not only a descriptor and a direct address to an implied audience, but it is also an utterance of blackness, speaking, as it were, a peripheral subject position within blackness, and at this point in Pryor's ongoing self-invention, the word is disarticulated, unable to give utterance to his subject position."

I hadn't seen "Dave Chappelle's Block Party" before (I picked it up thinking it would be a collection of short sketches, like his Comedy Channel show. I was wrong). He goes to small town Ohio to invite people from his hometown to go to a block party in Brooklyn, including young black guys stoked to see Chappelle and older white women who work at the local convenience store where Chappelle buys his cigarettes. It is an incredibly sweet, earnest film so far (I'm 45 minutes in at the moment). Not at all what I expected from a dvd whose cover shouts "unrated." Hmmmmm.  It has many interesting moments about contemporary black life and thought. How to pull this all together before 9:30 tomorrow? I think it will be in part about the development of these comedians' ideas about their identity and their responses to their fame. Did you know Chappelle is the son of two university professors (Antioch College and Howard University, among others)? He talked about believing his audience was intelligent and the pain of finding they weren't.

Time for pondering.

CFP: postwar political economy

(Note: I post this on behalf of Mike O'Connor, the current S-USIH treasurer.)

I am soliciting papers and a potential chair for a panel at the annual conference of the Society for U.S. Intellectual History, to be held November 1-2, 2012 in New York City. The subject of the panel is "postwar political economy." I am seeking any papers that deal with the intellectual history of the relationship between government and the economy in the United States in the latter half of the twentieth century. Both the disciplinary methodology and the subject may be considered broadly: please submit anything that you might consider relevant.

To apply, send a CV and an abstract of less than one page to Mike O'Connor at oconnor [at] gsu [dot] edu. Those who wish to be considered as the chair of the panel should send a CV to the same address, with a short note explaining their interest. Please submit all documents in MS Word or .pdf format no later than May 1, 2012. The conference organizers will not allow conference attendees to participate in more than one panel. All participants in the conference must be members of the Society for U.S. Intellectual history, and pay the conference registration fee.

Selasa, 03 April 2012

The Present and Future of American Intellectual History

Guest post by Daniel Wickberg, University of Texas at Dallas

The most recent issue of Modern Intellectual History (vol. 9.1, 2012, pp. 149-248) contains a forum on “The Present and Future of American Intellectual History,” continuing a spate of subdisciplinary self-reflection in the wake of the thirtieth anniversary of the Wingspread volume, New Directions in American Intellectual History. Wingspread alumni Thomas Bender, David Hollinger, and David Hall are represented as the established voices of the field, and are joined by prominent scholars who came of professional age in the 1970s and 80s—James Kloppenberg and Joan Shelley Rubin-- and in the last two decades-–Leslie Butler and Jeffrey Sklansky. The forum appears to have grown out of a symposium at Harvard in April of 2010, featuring Butler, Hall, Hollinger, and Kloppenberg and perhaps the state of the field panel on intellectual history at the OAH in 2011, in which Rubin, Sklansky, and Kloppenberg were all participants. Charles Capper, who is one of the editors of MIH, was involved in both the symposium and the OAH panel.

I mention these origins in the spirit of the forum itself, which continually invokes the institutional embeddedness and circulation of ideas and thought in concrete social contexts as a way to approach intellectual history. In that spirit, we might see this forum itself as a community of intellectual discourse, a network of intellectual historians, a conversation defined by professional status and norms. We might spend a great deal of time highlighting the educational and institutional backgrounds of the participants and their roles as gatekeepers for a scholarly community; the anticipated and diverse audiences who might read the forum and their particular local responses; the transnational, national, and local forces contributing to this particular historical document; the creation of a “public” of intellectual historians through explicit argumentation; an ever-widening circle of social, political, and economic contexts that inform the arguments made by the forum participants. We might, as I say, do this, if we were committed to the project that seems largely to be a matter of consensus among the forum participants. But since I’m not committed to that project nor that consensus, and have other ideas about how to study ideas historically, I’m going to try to say something about that consensus not in its spirit—that is, the dominant spirit of contemporary intellectual history practice—but in a counter spirit somewhat on the margins, concerned with the ideas themselves, and in particular the often unstated assumptions and intellectual frameworks that lie behind them.

I want to say first that I have enormous admiration for all of these scholars, and for the valuable work they have contributed to the field; I am glad that MIH is addressing the issue of the contemporary and future status of American intellectual history, and the editors have chosen a very distinguished group of accomplished historians to do so. And much of what they say is sharp, incisive, and easily wins my consent. My criticisms here are offered in the hope that vigorous debate and disagreement are the lifeblood of an intellectual endeavor, and that scholarship thrives on criticism and varied perspectives, and not in terms that are hostile or confrontational in the worst sense. And one thing is certainly missing from this forum—vigorous debate, conflicting visions, a sense that choosing one set of options may necessarily preclude another. It’s hard to come away from this forum with any other sense than that “it’s all good.” As salutary, broad, and inclusive as the visions of intellectual history offered here are, there is a tone of complacency and self satisfaction that runs through the forum, a sense that what we really need is more of the same, that the project outlined at Wingspread and its moment of crisis has been successful and that we both should and shall continue in its path. There are no “new directions” in this vision of intellectual history, only the same direction we have been on for thirty years or more. Is this the sign of a successful field, comfortable in its middle age, open, pluralistic and inclusive, or one that has lost its will to self-critique, that no longer looks at its guiding assumptions with a critical eye?

Bender, in his introduction, speaks of the essays here as “six distinct but broadly compatible narratives,” that “together offer a fair representation of current practice in the field.” Is there really this level of consensus in the field of American intellectual history? If one were to read only these essays, one would be excused for thinking so. While there are differences in emphasis and focus in these essays, this is a remarkably like-minded group. What is the core of this consensus? First, almost all of the historians here are what we might call “fusionists”; they believe that intellectual history should not be an autonomous form of inquiry set against and distinct from other forms of history, such as political, economic, or social history. Second, and relatedly, all of them reject what we might call “internalist” accounts of ideas and their histories in favor of a distinct brand of contextualism, one that emphasizes non-intellectual forms of context. Third, they mostly aim to affirm the expansion of what counts as appropriate subject matter for intellectual history against the old charges of elitism, embracing popular and fugitive texts and figures and readers as well as authors, while simultaneously restricting that subject matter by embracing criterion of significance defined by the “public” significance of ideas or discourse. (Hollinger is a partial exception to this last rule, but mostly because his essay is really about what to include in the sourcebook he and Capper edit—more on that below.). Fourth, the extensions of the domain or focus of intellectual history that these essays imagine is through geographical and social space—local, national, transnational—more than through time. As Leslie Butler affirms in her essay, the role of intellectual history is “to counter glib assumptions of continuity and genealogy by offering close, careful readings of ideas as they emerged, moved about, and worked in history.” (p. 169) It’s hard not to read her as suggesting that any focus on continuity through time is “glib,” and that any “genealogy” is ignoring local and specified contexts that are understood to be the proper frames of intellectual history. Again, only in Hollinger’s essay is there a sense that large intellectual processes and themes of continuity (in this case, the encounter of Protestant Christianity with Enlightenment thought) that connect the four centuries of American history might be the proper focus of intellectual historians. The agenda laid out in these essays, despite differences, then, coheres around this vision of intellectual history: fusionist; focusing on social and institutional contexts; simultaneously inclusive of a broad array of texts and historical actors, and exclusive of non-publicly oriented thought; and focused on specific historical actors rather than large transformations.

Butler’s essay, entitled, “From the History of Ideas to Ideas in History,” sets the tone. While it’s been a long time since something called the history of ideas has occupied pride of place in intellectual history, it serves here as a contrast to where Butler imagines the field has gone in the wake of Wingspread. Others in the forum are quick to note that American intellectual history was often paired with social history in the mid-twentieth century, and that the Lovejoy-influenced history of ideas never had a lot of salience for Americanists. But Butler’s point is really to highlight and endorse what I am calling the “fusionist” version of intellectual history. Ideas become significant, in this version, when they are attached to history writ large, when they help illuminate events, institutions, and patterns that are themselves historically significant.

The slippage here is evident; when Butler is talking about ideas in history, she is no longer talking about the peculiar disciplinary mode of study we call history, but about the object of that study (the events of the past). The question of who decides what is historically significant, what the events and persons of the past are that ideas can be brought in to illuminate, is elided. History in this sense is an already given thing, and ideas are in it. The question of which ideas are worthy of study or are part of history, then, is determined by what events are historically significant. Intellectual history is a handmaiden to the dominant or mainstream narrative of political, economic, and social change. Ideas that do not speak to issues of “public” concern, as several of the historians here suggest, are, if not “outside” of history, marginal to it. Hollinger notes that one of the large changes that has occurred in the field in terms of the centrality of types of thinking included in source books like The American Intellectual Tradition is a shift away from literary and philosophical thought, and a concomitant rise of interest in social and political thought (to which we might add economic thought, as the history of capitalism becomes more and more an organizing principle of contemporary historiography). The foregrounding of public life as the proper subject of history leaves out questions and problems that cannot be organized around debates and arguments over, say, the proper role of science in a democracy, the purposes and limits of state action, the relationship of art to public life, etc. While all of these kinds of questions seem to me important and fertile questions, that have inspired some very important scholarship, they also seem to define the field in an unnecessarily narrow way.

What I am calling the “fusionist” position on intellectual history is evident, and quite explicit, throughout the forum. Sklansky, for instance, seeks what he calls a “reintegration of social and intellectual history,” following on the subdisciplines’ “parallel crises” in the 1980s. Rather than the story often told of intellectual history’s crisis in response to the dominance of social history in the 1970s and 80s, Sklansky asserts that both fields, which had been strongly linked in the mid-century, came under sustained attack by postmodern attacks on “master narratives.” Now, with the reemergence of capitalism (I never knew it went away! Those of us who cut our teeth on Alan Trachtenberg’s The Incorporation of America, the Fox and Lears edited volume on The Culture of Consumption, Warren Susman’s essays, James Weinstein’s “corporate liberalism,” not to mention James Livingston’s Pragmatism and the Political Economy of Cultural Revolution thought we were studying the intellectual history of capitalism in the 1980s and 90s) as a new object of study, focusing on commoditization rather than proletarianization, intellectual and social history are back together. Like Sarah Igo in another recent go-around on the status of intellectual history, Sklansky advocates for the centrality of a particular topic as a way to integrate intellectual history into the mainstream of historical practice, rather than see it as an autonomous field of study.

The “blurred genres” of modern historical writing are also promoted in Kloppenberg’s essay, which insists on a kind of extension of intellectual history that, if successful, may well make the very subfield disappear. “Whether the results are called intellectual, social, cultural, or political history makes no difference” says Kloppenberg; “as the scope of social history expands to encompass the interpretation of cultural meanings and intellectual history extends from the highly educated to the realm of social protest movements and eventually to the texts produced by bloggers and tweeters, the distinction between social history, cultural history, and intellectual history will become increasingly blurred if not entirely erased.” (p. 209) Rubin’s essay, in line with her general interest in middlebrow and popular readers, looks for what she sees as a similar extension, focusing on reception and local uses of various forms of cultural production; the social history of reading, and the history of cultural institutions and cultural hierarchy. For her “American intellectual and cultural history will most thrive when it extends beyond a history of American intellectuals to become a history of intellectual life in America.” (p. 231)

Now, I am all for treating every text we can as an intellectual history document, as a text to be read for its assumptions, meanings, and purposes, so I think it has been salutary to move intellectual history away from a narrow focus on people we might designate “intellectuals” or on “formal,” “serious,” or “canonical” thought. But the idea that this move or extension necessarily puts us on the terrain of social history is, I think, wrong, and cultural history is not simply, as some have suggested, the place where intellectual and social history meet. In the vision of Kloppenberg, Rubin, and the other participants in this forum, the breakdown of subdisciplinary distinctions comes through the intellectual historian’s embrace of a certain vision of contextualism, an embrace that foregrounds institutional and social contexts. All historians are, of course, contextualists. The real distinctions between them come from what kinds of contexts they regard as significant, how they contextualize, and the weight they give to the internal features of a text and document in relationship to those contexts. One form of intellectual history has tended to foreground specifically intellectual contexts for any given text; intellectual historians of this sort are interested in the ways in which ideas within one text can be illuminated by the presence of ideas elsewhere—both ideas that are contemporaneous with the text, but also those established in pre-existing texts that are read and re-read. The job of the intellectual historian, in this version, is to situate texts in terms of what they drew from other texts, assumptions they shared, and ways in which they departed from those other texts. It is a deeply contextualist way of thinking, a way that situates ideas in time, but not necessarily or primarily in terms of authorial intention, social circumstance, or what Kloppenberg calls “embodiment. “ The kind of intellectual contextualism I am suggesting here is not the kind of contextualism that the participants in this forum have in mind.

The problem of contextualism and the inherent conflicts between different forms of it is not adequately addressed in the forum, because most of the participants see all forms of contextualism as compatible; the broad and inclusive vision outlined here assumes that no hard choices need to be made, that choosing one context doesn’t preclude another, that forms of contextualism are not incommensurable. David Hall, in his essay promoting the fusion of intellectual and cultural history—which is already largely a fait accompli, so the advocacy for it as something that remains controversial or has been substantially resisted is a little odd—does suggest that compromises that put aside some of intellectual history’s “engagement with the intricacies of ideas,” among other things, are “inescapable.” But this is a minor note. Kloppenberg, in his manifesto for a “pragmatic hermeneutics,” suggests that we think of contexts as “a series of concentric circles.” “Place a particular text at the center, and arrange around it an ever-widening set of circles that trace the contexts surrounding any text…. Intellectual historians began at that center, with that text, and work outward toward historical understanding.” (p. 202). The image of concentric circles suggests that the choices we make are between narrower and broader contextual understanding, and that the former is contained within the latter, even if having greater specificity.

But contexts are not already given—they are products of the questions we ask and the ways that we frame problems. To choose one set of contexts—to start for instance, as Kloppenberg suggests that we need to do, with the embodied author--is to choose a way of thinking about relevant context that precludes alternative approaches. If we were to listen to Foucault instead, we might want to see the author as an effect, rather than a cause, and start our contextualism with the level of discourse. None of the authors here wants us to do that. The two ways of thinking about relevant context are incompatible. The critique of an approach to intellectual history as a realm of “disembodied” ideas that Kloppenberg undertakes here assumes that we cannot understand texts, in any sense, in relation to one another without seeing them as the product of specifically located authors. He immediately concludes that intellectual biography, as a form, is to be privileged, that rooting the ideas of a thinker in his or her life story is a primary mode of understanding. But the closer we get to the details of a life, the further we get from a broad set of other contexts. What if abstracting ideas from the lives of their authors allow us to see relations that are invisible in an author-centered context?

Butler seems to recognize the problem of choosing contexts, arguing that potential contexts are “nearly infinite” (p. 164) and that historians have generally not been very good about critically reflecting on the meaning of “context,” even though it is one of their discipline’s key terms. In her advocacy for “public” and “transatlantic” contexts, she even suggests that such a choice involves both gain and loss. The gain she suggests is greater “accuracy,” (which suggests a residual commitment to the old empiricist model) but she has nothing specific to say about what is lost. (p. 168) While all of these historians are open to thinking in terms of intellectual contexts, the general emphasis is on institutional, social, and public life as the forum in which ideas count; the historian is less concerned with showing how ideas shape one another, and more with the actions of specific persons who use ideas as tools to achieved various ends. The conscious public use of ideas, for instance, for these historians is much more important than the shared and under-articulated common assumptions of a body of discourse. Sometimes the question is not an either/or question, but more a matter of emphasis—and the emphasis falls squarely on the kind of intellectual history that has been front and center since Wingspread.

Hall, in his essay, provides a much-needed look back to the mid-century intellectual history of Henry May, Sidney Ahlstrom, and Merle Curti as a contrast to the present—and there is, in his essay, a sense that something has been lost from the ambitions of these earlier historians, despite what he regards as their outmoded assumptions. Comparing contemporary practice to these forerunners, Hall claims that today’s “intellectual historians seem reluctant to use the once-canonical categories of ‘the Enlightenment’ or ‘Romanticism’ or ‘Social Darwinism,’ restrained from doing so by what we know about the genealogy of these categories and by our feeling that, close up, they give way to particularities that bring us closer to a ‘lived’ description of intellectual life.” (p. 176) This suspicion of broad themes, of collective sensibilities, of capacious intellectual movements in favor of fine-grained attention to local and institutional practices and writing seems to be the established voice of contemporary historiography. While we may have replaced such broad categories as Romanticism—which Lovejoy dismantled and pluralized back in the 1930s—with others—Sentimentalism, Pragmatism, Pluralism—the dominant tendency of our era has been to insist on criticizing any such category as “monolithic” and inadequate to the plural forms of meaning it hides. Even a work of integration and synthesis like Daniel Rogers’s justly celebrated Age of Fracture embraces this suspicion—when asked about the title, he has pointedly insisted that it does not take the definite article—he is not writing about the age of fracture, but about a particular age of fracture, one among many. This reluctance appears as a symptom of the very fracturing he sees as characteristic of the age.

While Sklansky suggests that capitalism might be one integrative topic for intellectual historians, only in Hollinger’s essay do we see an attempt to embrace some kind of broader and unifying theme that might undergird the study of American intellectual history as a whole. But Hollinger’s essay is not about the forms of scholarship and methods in the field, but about what to teach in undergraduate courses on American intellectual history. Because Hollinger and Capper have edited six editions of their 2 volume The American Intellectual Tradition over the past 25 years, they have had to debate with a wide swath of teachers in the field about which writers and which texts are “canonical” and should be read by students in the field. While the other entries in the forum are concerned in part with expanding intellectual history away from a canon of thinkers, Hollinger has been compelled to consider the canon. He and Capper could have edited a different kind of reader, one that rejected a canonical approach, and moved across categories of high, low, and middlebrow, but they have embraced a frankly “intellectualist” approach, one that grants significance to “important” thinkers and texts. Not only have Hollinger and Capper embraced a singular “tradition” as the hallmark of their reader, they have organized the readings around a central theme, rightly derived from their mentor, Henry May—“the accommodation of Protestant Christianity with the Enlightenment,”--and have organized each volume into broad thematic and chronological categories.

I confess that I have been using Hollinger and Capper in my intellectual history courses for almost twenty years, and am overwhelmingly pleased with the quality of the text and the selections (and the excellent headnotes and bibliography). Like their many correspondents, who the editors listen to when making decisions about revisions, I have always had ideas about texts and authors I would like to see included: Benjamin Rush (“Of the Mode of Education Proper in a Republic”), Robert Park (“Human Migration and the Marginal Man”), and the Port Huron Statement, for instance. My somewhat idiosyncratic choices don’t show up in the suggestions that Hollinger’s interlocutors have made, apparently. But the demands for Leo Strauss, Theodore Parker, Kate Millett, and Edmund Wilson, among others, do. This essay, which details some of the ways in which the field has changed—the addition of more conservative thinkers, for instance—provides a real contrast to the tone of the rest of these essays. I am left wondering why what we teach and what we write about are so divergent, and I say this as someone who both teaches this body of canonical thinking, but writes on topics that are not guided by the notion of a canon at all.

One theme that was not present in any sustained way in the Wingspread volume, but that is ubiquitous in this forum, is the focus on transnational study. There is a certain irony in this in that, despite the old American exceptionalist framework present in mid-twentieth century practice, intellectual historians have always been much more concerned with transnational connections (ideas not respecting borders and all that) than many of their fellow historians. Who thought you could be a scholar of Transcendentalism without knowing something about German idealism and European romantic thought more broadly? Who was under the impression that the development of American higher education could be understood absent the German university and the educational experience of Americans abroad? Books like Alan Simpson’s Puritanism in Old and New England (1961), or J.G.A. Pocock’s The Machiavellian Moment (1975) on “the Atlantic Republican Tradition” or David Brion Davis’s The Problem of Slavery in the Age of Revolution (1975) long preceded the current vogue of transatlantic and transnational study. As social and cultural and economic historians have turned to the transnational in the last twenty years—following the flag of globalization and our own neoliberal moment—intellectual historians have had something of a head start, and it’s precisely because earlier versions of intellectual history were not wedded to the idea that specific local social and institutional contexts were the proper contextual frames to study ideas. In other words, the broader vision of an older intellectual history was, as the theory folks like to say, “always already” transnational. If there is a fundamental difference between more recent transnational work, such as Butler’s Critical Americans (2007) and Brook Blower’s Becoming Americans in Paris (2011) and the older transnational intellectual historiography of the mid-twentieth century, it still remains unclear what it is. Perhaps as intellectual historians begin to look more broadly at the Americas and the Pacific, and not so exclusively at the European-America connection, we might see a greater departure from the established forms of intellectual history.

While I am not advocating a wholesale return to the pre-Wingspread era of intellectual history, I do believe that the choices that have shaped the discipline in the past thirty years have entailed some losses as well as gains. Today we know titles such as Ralph Henry Gabriel’s The Course of American Democratic Thought (1956), Joseph Dorfman’s The Economic Mind in American Civilization (5 vols., 1946-1959) and Merle Curti’s The Growth of American Thought (1943), if we know them at all, as moldering and out-dated works that are rarely read. We have yet to have a really good history of American intellectual history, one that explains how we got where we are, how much our approaches are indebted to those of the past and the assumptions they made, and how much we have departed from them. Ellen Fitzpatrick’s History’s Memory (2002) dismantled the self-serving narratives of social and cultural histories of the 1980s and 90s as “new” departures by showing the “new history” as central to American historiography from the Progressive Era forward. Perhaps we need a history of intellectual history in the spirit of Fitzpatrick’s book. Even intellectual historians can be short sighted when they set out to define the future.

Senin, 02 April 2012

Paul S. Boyer (1935-2012)

The New York Times has reported the passing of Paul S. Boyer on March 17 at the age of 76.

As readers of this blog know, Boyer was one of the most important U.S. intellectual historians of his generation.   Unlike many others who have earned that title, however, I don't associate Boyer particularly with any distinctive methodological, topical, metanarrativistic, or stylistic shift in the field or sub-field. To put this another way:  I can't think of any time that I've read someone else's work and have thought "that reminds me of Boyer"... and I'm not sure what would remind me of him.

But Boyer is one of that small group of historians who wrote three books that have made a real difference to me. And in Boyer's case, they are three books on very different topics:  Salem Possessed (1974), By The Bomb's Early Light (1985), and When Time Shall Be No More (1992).




Salem Possessed, co-written with Stephen Nissenbaum, applied the tools of the (then new) social history to the case of the Salem witchcraft trials and made an ingenious, if ultimately not wholly convincing, case that the witchcraft scare could best be explained by looking at land-ownership patterns and the distribution of wealth. By the time I encountered it in grad school in the late '80s, Salem Possessed read as a kind of object lesson in both the possibilities and limitations of the kind of social history that had exploded onto the scene in the early 1970s.

But by then, Boyer had moved on to other things.  By The Bomb's Early Light was an extraordinarily well-written and fascinating look at American view of atomic weaponry and power in the years immediately after Hiroshima and Nagasaki.*  Boyer's interest in this topic reflected his own lifelong pacifism (he had been raised in one of the traditional peace churches).  Analyzing an extraordinarily broad range of materials, the book conveys both the hopes and the fears that Americans felt about the bomb from the start.


By The Bomb's Early Light would eventually serve as a kind of preemptive strike (albeit an ultimately politically unsuccessful one) against the nonsense that befell the proposed Enola Gay exhibition at the Smithsonian a decade later, when various politicians and veterans organizations attempted to suggest that only recently had a small group of pointed-headed revisionists questioned the goodness of the atomic bombings of Japan.  In fact, as Boyer had told us, many Americans had been skeptical and fearful of the use of atomic weaponry from very early on.

When Time Shall Be No More grew out of By The Bomb's Early Light, but concerns a seemingly very different topic: premillennial prophecy in U.S. culture since World War II.  Boyer first realized the shear scope and significance of premillennialism while working on By The Bomb's Early Light, as atomic weaponry quickly came to play a role in premillennial prophetic understandings of current events in the mid-20th century. In taking premillennialism seriously as a strain in American culture worthy of real historical attention (rather than dismissing it as a kind of cultural neurosis), When Time Shall Be No More anticipated both the enormous growth of interest in religion (and especially vernacular religion) among American historians in the last two decades and the growing interest in American conservatism.

Yet the book does not (as far as I remember; I read it when it first came out and used it several times since in a classroom setting, but haven't taken a look at it for at least five years) present itself as boldly leading American historiography in a new direction. Boyer had simply found a fascinating and important topic and chosen to write about it. And like By The Bomb's Early Light, When Time Shall Be No More has an almost effortless feel about it.  In Boyer's hands, the thought of modern premillennial Christians comes alive as historically important and intrinsically interesting in a way that is neither celebratory nor dismissive.**  The book is an excellent work of history, but also a very good read.

When thinking about great historians (I almost put "great"...and then "great historians"... in quotation marks), I think we are most often drawn to revolutionary figures in a Kuhnian sense, authors who shifted the paradigm in one way or another. I don't think Paul Boyer fits this model of historiographical greatness.

But I do think it's fair to call Boyer a great historian.  He wrote a number of significant and enduring works of history on a wide range of topics, some of which found themselves on cutting edges that had not even yet emerged when he started work on them.  Both By The Bomb's Early Light and When Time Shall Be No More are models of serious scholarship written in a way that might reach broader, non scholarly audiences; I wouldn't hesitate to recommend either one of them to non-academic friends interested in their subject matters (and in fact have recommended both to non-academics over the years).

This is a career worth remembering and celebrating.

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* In between working with Nissenbaum on Salem and publishing By The Bomb'e Early Light,  Boyer wrote Urban Masses and Moral Order in America, 1820-1920 (1978), which was also a very important book at the time, but which, I'm ashamed to say, I've never read.


** The first time I taught When Time Shall Be No More, one of my students happened to have come from a premillennialist background and he found the book familiar, in certain ways, but fair, interesting, and accurate.

A Baker's Dozen Awe-Inspiring Cultural and Intellectual Histories

[Editor's Note: Today's guest post comes from George Cotkin, Professor of Postwar United States Intellectual and Cultural History, California Polytechnic State University. Enjoy! - TL]


How often are we both propelled and burdened by great works of cultural and intellectual history? They serve as our models; they sing with their insight, style, and grace.

On my desk I have arranged a lucky thirteen titles. They mock me often and they make me want to stop my own work and read them. They are books that I admire, that I wish I had written.

They all deal with topics in our field. Only one of them is a biography of a single figure. There are other titles, outside the field of intellectual history, I admire equally or that have influenced my life. E.P. Thompson’s The Making of the English Working Class and Eugene Genovese’s Roll, Jordan, Roll, come to mind immediately.

Do these volumes share anything in common? I think that all of them escape the confines of the pedestrian or academic. Many of them fail but in a heroic manner. All of them ooze sophistication and deep learning. And all of them, in my view, are written with verve.

Here are my baker’s dozen of books that I hold in awe (alphabetically, by author):

Rachel Cohen, A Chance Meeting: Intertwined Lives of American Writers and Artists, 1854-1967

Morris Dickstein, Gates of Eden: American Culture in the Sixties

Ann Douglas, Terrible Honesty: Mongrel Manhattan in the 1920s

Modris Eksteins, Rites of Spring: The Great War and the Birth of the Modern Age

Paul Elie, The Life You Save May Be Your Own: An American Pilgrimage

Orlando Figes, Natasha’s Dance: A Cultural History of Russia

Peter Gay, Education of the Senses: The Bourgeois Experience, Victoria to Freud

Alexandra Harris, Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper

David Lehman, The Last Avant-Garde: The Making of the New York School of Poets

Louis Menand, The Metaphysical Club: A Story of Ideas in America

Robert Richardson, Jr., Emerson: The Mind on Fire

Carl Schorske, Fin-de-Siecle Vienna: Politics and Culture

Roger Shattuck, The Banquet Years: The Origins of the Avant-Garde in France, 1885-World War I

I am sure that you are bewitched by your own set of favorites. Care to share them?