Tampilkan postingan dengan label Matt Yglesias. Tampilkan semua postingan
Tampilkan postingan dengan label Matt Yglesias. Tampilkan semua postingan

Selasa, 18 Oktober 2011

Occupy Wall Street: The Culture Wars of the “New Class”?

In January of 2009, shortly after Obama’s inauguration, I gave my first public talk on the culture wars, research that was relatively new to me at that stage. In the talk, I discussed the politics of higher education in the 1990s through the lens of conservatives like Allan Bloom, Dinesh D’Souza, Roger Kimball, and Lynne Cheney. In the Q&A that followed, an audience member whom I will call Liberal Academic Superstar asked me some version of the following question: “In light of Obama’s historic victory, which ushers in a new era of liberalism, and in light of the financial meltdown, which ushers in new intellectual priorities, isn’t all this talk about conservatives and culture wars quaint, even outdated?” Flabbergasted, my response was something to the following effect: “Just wait.”

At the time, I believed Liberal Academic Superstar’s question was incredibly stupid. I still do, and my guess is that if Liberal Academic Superstar could actually be persuaded that he or she in fact asked that incredibly stupid question, say, if he or she was caught on video and made to watch his or her performance, then Liberal Academic Superstar would be quite embarrassed, given all that has since transpired. And yet, despite its stupidity, I have given a great deal of thought to that question. So, if nothing else, it was a productive question and I am glad to have been asked it. (Granting him or her the benefit of the doubt, perhaps this was Liberal Academic Superstar’s purpose? Na…) It has forced me to think about what has changed since the heyday of the culture wars (the early 1990s), and what remains of the culture wars. It has given me time to reflect on the “Passover Question”: Why are the culture wars important as a topic of historical research? I had assumed their importance went without saying. But nothing that serves as the subject of a book, especially a history book, should go without saying.

Conservative reactions to the Obama presidency and the economic crisis brought discussion of the culture wars back into fashion. The Birthers and the Tea Party screamed, “don’t forget about us culture warriors,” even if the coordinates of the Obama-era culture wars did not map neatly onto the Reagan- or Clinton-era culture wars. But I want to argue that another phenomenon, even more recent, and from the opposite end of the political spectrum, can also be understood through the lens of the culture wars. Or, at least, the culture wars help us understand the varied responses to the phenomenon. I’m talking, of course, about the riveting and important Occupy Wall Street Movement (OWS).

A few weeks ago, ubiquitous blogger Matthew Yglesias wrote a short post, titled, “The Economy as Culture War,” where, in tantalizingly brief fashion, he made the case that “economic policy debate in the United States is in part just another culture war issue.” On the one hand, Yglesias contends that a genuine clash of economic interests drives the divide between the private-sector business class and the public-sector knowledge class. He describes this as “a kind of bitter feud between businessmen and the kids they went to college with who didn’t go on to become businessmen. What did they do instead? They became teachers or doctors or nurses or professors or lawyers or scientists or nonprofit workers. And they fight with each other in part because of genuine economic clashes of interest. The businessmen tend to be targeted for tax hikes, while the people they went to college with tend to actually capture some of the public sector expenditure streams.”

But on the other hand, Yglesias qualifies his analysis of the economics behind the clash that is driving OWS with the type of insight that is often used to explain the culture wars. He argues that if either side were objective in their pursuit of rational economic interests, they would realize that a healthy economy needs both profit and non-profit enterprises. But people tend to be irrational: “Layered on top [of rational economic interest politics], I think, is a raw gut-level dislike — both kinds of people think the other kind of people are clueless about what really matters in life.” “The business coalition sees the service coalition as composed of useless moochers, and the service coalition sees the business coalition as greedy bastards.” So Yglesias is extrapolating from the Thomas Frank “what’s the matter with Kansas” model of understanding the culture wars. Frank’s well known thesis, oft critiqued, goes as follows: cultural or religious conservatives often voted against their own economic interests due to their irrational obsession with the culture wars, to which Republican politicians cynically lent rhetorical support as they attended to more important matters, such as rewriting the tax codes in favor of the economic royalists. To his credit, Yglesias does not merely think conservatives are irrational. He seems to be painting everyone involved in the great economic debates as somewhat irrational. But more to my point, the reason Yglesias seems to think economic debates play out in culture war terms is because they emit elements of the irrational. Culture wars equals irrational.

Beyond trading on recent punditry tropes, Yglesias’s understanding of the culture wars, whether he knows it or not, also echoes the “new class” analysis innovated for a post-1960s American context by early neoconservatives such as Irving Kristol, Daniel Patrick Moynihan, Norman Podhoretz, Jeane Kirkpatrick, Gertrude Himmelfarb, and Midge Decter, among many others. Moynihan first used the term “new class” in writing about the “education lobby” in a 1972 Public Interest article (prefiguring Yglesias): “The social legislation of the middle third of the century created ‘social space’ for a new class whose privilege (or obligation) it is to disperse services to populations that are in various ways wards of the state.” Similarly, take notice of the following long quotes from an Irving Kristol article, titled, “Business and ‘the New Class’,” published in the Wall Street Journal in 1975:

What is commonly called a “bias” or an “animus” against business is really a byproduct of larger purposiveness. There are people “out there” who find it convenient to believe the worst about business because they have certain adverse intentions toward the business community to begin with… These people constitute what one may simply call, for lack of a better name “the new class.”

This “new class” is not easily defined but may be vaguely described. It consists of a goodly portion of those college educated people whose skills and vocations proliferate in a “post-industrial society (to use Daniel Bell’s convenient term)… It is, by now, a quite numerous class; it is an indispensable class for our kind of society; it is a disproportionately powerful class; it is also an ambitious and frustrated class.

The “new class”—intelligent, educated, energetic—has little respect for such a commonplace (business) civilization. It wishes to see its “ideals” more effectual than the market is likely to permit them to be. And so it tries always to supersede economics by politics—an activity in which it is most competent, since it has the talents and the implicit authority to shape public opinion on all larger issues.


Based on a reading of Kristol, it’s clear that some early neoconservative “new class” thought was strictly a way to express anti-anti-capitalism. It was obliquely in this context that Lewis Powell wrote his infamous 1971 memo where he argued that the business class must meet the threat posed by anti-capitalist academics on their terms, by creating a sort of counter-academy under the auspices of the Chamber of Commerce, which “should consider establishing a staff of highly qualified scholars in the social sciences who do believe in the system.” I trace Yglesias’s characterization of the contemporary clash between the businessman and his critic—both of which display a “gut-level dislike” for the other—to this mode of “new class” analysis.

But most “new class” thought extended far beyond an analysis of any particular clash of economic interests. Much of it was rooted in Lionel Trilling’s famous examination of an “adversary culture,” mostly about avant-garde modernists—the lens through which the neocons read the 1960s. A private memorandum written by Moynihan for his boss President Nixon in 1970 exemplified how “new class” thought was shaping the coming culture wars, as refracted through the 1960s: “No doubt there is a struggle going on in this country of the kind the Germans used to call a Kulturkampf. The adversary culture which dominates almost all channels of information transfer and opinion formation has never been stronger, and as best I can tell it has come near silencing the representatives of traditional America.” Nixon lapped up this type of rhetoric because he saw himself as the leader of the silent majority that stood toe-to-toe with 1960s adversarial types. The neocons saw Nixon in this light as well, which explained why a Democrat like Moynihan saw fit to work for him. As Podhoretz wrote (not long after Watergate, no less): “The 1960s ended… not with a revolution but with the election of Richard Nixon: Richard Nixon, who better than any single figure in American public life seemed to epitomize everything in opposition to which the adversary culture had always defined itself.”

Midge Decter nicely captured the 1960s “adversary culture” of the neoconservative imagination in her harsh 1972 rebuke of feminism, The New Chastity and Other Arguments Against Women’s Liberation. Decter argued that women had it better than ever, for example, in their newfound abilities to secure gainful employment and control pregnancy through birth control. And yet, even with such advances, or perhaps because of them, the “women’s liberation” movement objected that women were subjected to patriarchal strictures. Decter contended that women feared their newfound freedoms, because with such new freedoms came new responsibilities. For instance, if women were going to enter the workplace like men, then they had to be prepared to compete alongside men in a dog-eat-dog world that men had long grown accustomed to. In short, Decter believed that feminists wanted to shirk the responsibilities of living in capitalist America. They were adversarial to the discipline enshrined in American traditions, such as the Protestant work ethic that the mostly Jewish neoconservatives came to adore.

The importance of work ethic, Protestant or otherwise, informed neoconservative new class thinking. In this, neoconservatives led the conservative movement more generally to the type of colorblind rhetoric of individual merit that now shapes its discourse. For example, Podhoretz claimed that the new class was anti-liberal because it supported quotas to its favored groups as opposed to equality of opportunity. This “could be understood, then, as an extension into concrete social policy of the adversary culture’s assault on the ‘Protestant ethic.’” Similarly, Gertrude Himmelfarb, historian and big fan of Victorian-era values, wrote: “In its denigration of ‘bourgeois values’ and the ‘Puritan ethic,’ the new class has legitimized, as it were, the values of the underclass and illegitimized those of the working class, who are still committed to bourgeois values, the Puritan ethic, and other such benighted ideas.” Alarm over the death of the Protestant work ethic is not merely leveled against the baby boomers who violently rejected society in the 1960s. Now, the so-called millennial generation seems not to have the proper attitude towards work. Hillary Clinton’s words on the matter, as Bhaskar Sunkara writes in his generational analysis of OWS, “could have been ripped out of National Review”: “A lot of kids don’t know what work is. They think work is a four-letter word. … We’ve got to send a different message to our young people. America didn’t happen by accident. A lot of people worked really hard. They’ve got to do their part too.”

The most common conservative argument made against OWS is that the protestors are lazy, elitist ingrates who want to blame their own deficiencies on Wall Street and are looking for a government handout because they fear the responsibilities that accompany freedom. This is the argument that informs the message-based images against the movement that have gone viral (in an appropriation of a popular movement tactic). Take for instance the 53% guy (pictured just below) who advises OWS protestors to “suck it up you whiners.” His incredible sacrifices show that with grit and determination anyone in America can, well, stay afloat, without so much as health insurance, and without whining. In this he continues the fight taken up by the neocons, who vehemently defended American intellectual and political traditions, such as the colorblind rhetoric of equal opportunity, which they believed had served them well. Most neoconservatives were from Jewish immigrant families and felt the sting of discrimination growing up. Yet, such biographical barriers did not inhibit them from “making it,” as Podhoretz titled his 1967 memoir. In this context, the wide-ranging demands made by rowdy campus protestors on campuses across the country in the 1960s, such as for affirmative action, struck the neoconservatives as brazenly anti-American. Many view the OWS protestors through the same lens. This is a culture wars lens, even if not precisely in the way Yglesias maintains.

Although Yglesias probably thinks conflating economic debate with the culture wars is a way of not being an economic determinist, he is repeating the vulgar determinism of Thomas Frank by maintaining that people who don’t act in their obvious economic interests, people who act on “gut” instincts, or worse, in identity-based ways, are irrational. To argue, as I do, that the culture wars were not epiphenomenal, is not to deny the importance of economics, but rather, to point to what Marx called a “social formation” (analyzed with much skill recently by David Harvey), where culture, ideas, and economics interact in complex and unpredictable ways. As large historical forces, such as the deindustrialization of the economy that disempowered labor unions while empowering those who worked in the information economy, shaped the culture wars, the culture wars in turn reshaped the social formation in dialectical fashion. The tribal clashes that emerged in the 1960s and 1970s, as brilliantly told by Village Voice journalist Paul Cowan—whose excellent 1979 collection of essays, The Tribes of America, was recently re-released with an introduction by Rick Perlstein—polarized into two great camps by the 1980s and 1990s: James Davison Hunter’s “secular-progressives” and “orthodox-traditionalists.” Even those who sought to transcend the culture wars, for example Christopher Lasch, whose work often defended traditionalism as a means to ward of the evils of capitalism, were sucked into the culture wars vortex, as feminists like Susan Faludi lumped Lasch with anti-feminists like George Gilder. As part of this polarization process, cultural conservatives or traditionalists often came around to conservative economic or anti-statist positions that would have shocked their forebears. As Leo Ribuffo shows, pro-family activists in the early twentieth century most often blamed the market for disrupting traditional life. But by the 1970s, the state was to blame, situating the Christian Right smack dab in a Republican coalition that sought to dismantle the New Deal Order.

As Robert Putnam and David Campbell argue by way of sociological analysis of poll data, in their new book American Grace, religious and political positioning are more inextricable than ever. Whereas the degree to which a person was religious in the 1950s had little bearing on whether they identified as Democrat or Republican, today it matters greatly, as the more religious someone is the more likely they are to vote Republican. Conversely, people who are conservative but not religious gravitate towards religion because they find likeminded people in churches. And the same goes for liberals who are quitting church, or atheists who are quitting the Republican Party. This polarization is a microcosm of the culture wars.

The polarization of the culture wars, I suggest, helps us to understand the response to OWS, or perhaps more compellingly, the differences between the Tea Party and OWS, both of which were nominally anti-Wall Street. The popularity of the Tea Party could initially be partly explained by the antipathy to the Wall Street bailouts. But the Tea Party became a political force more as a conglomerate of conservative positions that tended towards austerity—towards the notion that the state could not help us out of this mess, that if anything it would make matters worse. Furthermore, the Tea Party’s anti-tax messages evinced opposition to laziness and government handouts, the sort of anti-“loser” rhetoric that fired up the traders who surrounded Rick Santelli when he lashed out at a plan to relieve foreclosed upon homeowners. Polarization also shapes the style or aesthetics of the two movements, as James Livingston has been arguing about OWS in several compelling blog posts. Tea Party activists dressed up as 18th century patriots and often talked as much about God and Country as about Taxes. OWS activists look like hippies, smoke weed, and often talk as much about the spiritual evils of consumerism as they do about anti-austerity. Style, identity, and culture: these things seem to matter to both sides as much as politics (which is not to argue that these things can replace politics, if reform or revolution be the goals). Style, identity, and culture: these things are as polarized as politics. This is the legacy of the culture wars that helps shape our understanding of the great debate taking place right now.

Senin, 17 Oktober 2011

Will "Straussianism" Become Like "Deconstruction" in Popular Discourse?

 Begging for a Straussian Reading of Some Kind?
Yesterday, Tim Lacy called my attention to this piece by Matt Yglesias in which he analyzes a recent piece by New York Times columnist David Brooks.

"David Brooks’ column 'The Thing Itself' is just begging for a Straussian reading of some kind," Yglesias begins.  Even as a student of popular anti-Straussianism, I was initially at something of a loss to see what Yglesias was talking about.

Brooks's column is--or perhaps one should say in deference to Yglesias "appears to be"--a celebration of outgoing Port Authority head Chris Ward and his, at least according to Brooks, extremely practical approach to rebuilding at Ground Zero.  Brooks then uses Ward's practicality-over-symbolism as a positive contrast to a variety of issues that Brooks argues have been dominated by "culture war" purism, e.g. the politics of gun ownership and Obama's Green Tech initiative.*

But according to Yglesias, this isn't really what the column is about.


Pointing out that the column's title phrase (repeated in its body) is a translation of Kant's Ding an sich, which is "unknowable and inexpressible," Yglesias suggests that the column is thus really arguing something quite different:
The basic topic of the column is perfectly plausible here. A call for people to be more practical. But why link that idea specifically to Kant’s phrase, and then use it to call for us to do something that Kant says is impossible? I get a distinct air of Leo Strauss and the University of Chicago around this. Brooks is winking at those of us in the know to signal to us that there’s a deeper meaning afoot. The esoteric argument, I think, is that people necessarily engage with mass politics on a symbolic and expressive level rather than a practical way (voting isn’t very practical) so our endeavors are doomed to failure.
Why would an argument of the sort that Yglesias suggests Brooks is making have to be presented esoterically? How does it in any way contradict the explicit message of the piece?  Far from challenging the conventional wisdom of our day, the idea that mass politics is inherently irrational and militates against practical solutions is practically a dogma of our nation's punditocracy.  And it certainly doesn't contradict Brooks's explicit praise for the practicality of an appointed official.

But there's a more basic problem here.  David Brooks isn't a Straussian.  Indeed, before I saw this piece, I would have told you that, in an era in which practically everyone on the right has gotten called a Straussian by somebody at one time or another, Brooks had the relatively rare distinction of never being so labelled. After all, Brooks seems more interested in the nonexistent salad bar at Applebee's than in the "timeless questions" that Straussians concern themselves with.  Even when Brooks considered questions of human nature in his latest book, The Social Animal, he turned to (poorly understood and popularized) neuroscience, rather than to Socratic philosophy, to explain it.

But then I discovered that Yglesias, at least, has been calling Brooks a Straussian for years.  The 2005 Brooks column Yglesias focuses on in this earlier piece is even less "Straussian" than  the one about Chris Ward. Written on the eve of President George W. Bush's first Supreme Court appointment, Brooks starts by calling on Dubya to look for a "philosophical powerhouse," then suggests Michael McConnell, whom Brooks praises for having a less strict understanding of the separation of church and state.  Yglesias correctly points out that the column's first argument--that Presidents should appoint smart people to the court--is not its most important, which is that the separation of church and state should be eased.  But burying the lede as Brooks does here is hardly an example of esotericism, let alone Straussianism.

As far as I can tell, the case that Brooks is a Straussian is based on guilt by extremely vague association. He is Jewish. He's arguably a neoconservative.  He went to the University of Chicago.

However, Brooks majored in history. And, as readers of this blog are well aware, there's nothing remotely Straussian about the History Department at Chicago...or for that matter about most departments at Chicago beyond Political Science and the Committee on Social Thought (even they include plenty of non-Straussians alongside their Straussians).

And what makes this column "Straussian"? It has a reference to a German philosophical concept that would likely go over the heads of many readers.  It disparages democratic politics. And it does so in a way that doesn't emphasize that argument.

But, like the earlier Brooks column that Yglesias called Straussian, this column's argument is not an instance of esotericism in the Straussian (or for that matter any other) sense. Brooks disparages politics entirely openly in the piece. Chris Ward, whom he praises, notably didn't get his job via election; he was appointed, first by Mayor Michael Bloomberg to another post, and then by Governor David Paterson, to his current one.  Brooks does like to sugarcoat his often quite conservative arguments in moderate-sounding rhetoric. But, again, that's not esotericism.

There are a number of pretty simple lessons here: Not all neoconservatives are Straussians.  Not all graduates of the University of Chicago are Straussians.  Not all elitists are Straussians. People besides Straussians sometimes make references to highfalutin' German philosophical concepts.  People besides Straussians try to tailor their arguments for their audience...and there are many ways to do so that do not involve esotericism. And people besides Straussians sometimes harbor anti-democratic political views.

But I also wonder whether we are beginning to see the term "Straussian" take a rhetorical journey similar to that which "deconstruction" took in the last quarter of the twentieth century. "Deconstruction" began life as a technical term coined by Jacques Derrida to describe his method of reading a text. It then entered popular language as a pejorative to describe any abstruse form of textual analysis. And then the pejorative connotation began to fall away.  Today people often say "deconstruct" when they really mean nothing more than "analyze carefully."
______________________________

* This argument really is classic Brooks.  Immediately after making a pseudo-moderate, pox-on-both-houses argument about the essentially dead issue of gun control, Brooks hauls out a standard, right-wing Republican talkingpoint about a very live issue:  "President Obama’s Green Tech initiative has become a policy disaster — not only at Solyndra but at one program after another — because its champions ignored basic practical considerations. They were befogged by their own visions of purity and virtue."

Senin, 29 November 2010

Culture Wars in Other Countries (Metaphorical and Real)


A couple weeks ago, this image was making its way around the left of the blogosphere (a larger version can be seen here). Hendrik Hertzberg got the ball rolling when he posted it on his New Yorker blog. Identifying it as a political cartoon by Adalbert Volck that "went viral during the 1862 midterm campaign," Hertzberg compared its attacks on Lincoln to current rightwing attacks on Obama. Matt Yglesias followed up the next day on ThinkProgress with a bit more analysis, noting that the Republicans received "a bit of a shellacking" in those midterm elections and arguing that

the evident similarities between aspects of political rhetoric today and 150 years ago highlights the extent to which the values-and-temperament debate between conservative nationalism and progressive cosmopolitanism is ultimately much more fundamental than the passing controversies over tax rates economic regulation. The basic anxieties provoked by threats to existing status hierarchies haven’t changed, nor have the rhetorical tools of countermobilization.


The following day, Amanda Marcotte of Pandagon echoed Yglesias:

This is the sort of thing that makes claims that Tea Partiers are either some new phenomenon or that they have a specific, policy-based gripe with Obama even more comical. It’s all culture war, all the time.


In fact, Hertzberg, Yglesias, and Marcotte have subtly misidentified this interesting image. It comes not from the election year of 1862, but rather from 1863. Adalbert Volck was a Bavarian-born, Baltimore dentist who, like a lot of his fellow white Marylanders, sympathized with the Confederacy. In 1863, using the pseudonym "V. Blada," he published a portfolio of thirty prints, collectively entitled Confederate War Etchings, of which the image in question, called "Worship of the North," was the first. Twenty-nine of the thirty prints (the last has apparently been lost) are available for viewing online as part of the Library of Congress's American Memory project.*

It's important that this cartoon comes from 1863 and not 1862 because its context was not a political campaign at all, but rather the Civil War itself (though of course, the War was the central political issue in the 1862 and 1864 campaigns). Interestingly, neither Hertzberg, nor Yglesias, nor Marcotte mentions the Civil War. Though American politics may feature "all culture war, all the time," it's certainly not (literally) all civil war, all the time. It is important that the context for this image was something much more wrenching and violent than an election campaign...though noting that arguably makes any similarities we might identify between it and current political rhetoric even more striking. When we see similarities between Volck's attacks on Lincoln and contemporary conservative attacks on Obama, perhaps we shouldn't see something as abstract as Yglesias's "basic anxieties provoked by threats to existing status hierarchies" or even Marcotte's American conservatives as eternal culture warriors, but rather the enduring legacy of the Civil War in American political culture and rhetoric.

But of course, we're not the only country with culture wars. Volck's homeland of Germany, after all, gave us the term "culture war" (Kulturkampf). And Germany is currently having a little culture war of its own.
This past summer, Thilo Sarrazin, an SPD politician and Bundesbank official published a book entitled Deutschland Schafft Sich Ab: Wie wir unser Land aufs Spiel setzen (Germany Does Itself In: How we are putting our country at risk).  Sarrazin's book argues that his country's growing Muslim population constitutes a social and cultural threat, especially in light of the very low birthrate among ethnic Germans.  Sarrazin's argument that Germany's Muslims are both unassimilable and genetically less intelligent than ethnic Germans caused a scandal in Germany.

In many ways, Sarrazin resembles the right-wing populists who can be found throughout Europe these days, from Geert Wilders in the Netherlands to Barbara Rosenkranz in Austria. But while the book's tendentious arguments may be old hat in Europe, they obviously strike a particular nerve in Germany, whose post-war national identity was based on a self-conscious rejection of such arguments.  Unsurprisingly the German political and intellectual establishment has nearly universally condemned the book.  Sarrazin was pressured to resign his Bundesbank post.  And though many Germans initially took comfort in the absence of any political party that might empower Sarrazin's views in Germany, the sheer popularity of the book quickly made clear that, even without such a party, many Germans embraced Sarrazin's views. Although endorsing the book remained taboo, politicians soon began "demanding that the political elite cease ignoring the fact that many in Germany support Sarrazin," according to Der Spiegel.


There are obviously many interesting aspects of the Sarrazin affair, what it reveals about, and how it may change, post-war German politics.  But I'm blogging about it because of an interesting comment by David Goodhart in his recent review of the book for the British journal Prospect (h/t Arts & Letters Daily):

Nowhere in Europe is the gap between public opinion and published opinion as wide as in Germany. And nowhere has public policy been more influenced by a 1960s generation, post-national, society-is-to-blame kind of liberalism. Yet this “official” liberalism has never reflected the way people live and think, even in the German chattering classes. When I lived in the country, 20 years ago, it felt far more socially conservative than the similar circles I had come from in London.
Goodhart's observation is, I think, entirely fair. And the recent experience of the German intellectual and cultural elite with the public reception of Sarrazin's book is further evidence of Goodhart's point.**

This vast divide between elite and popular opinion raises an interesting issue: why hasn't Germany experienced a more pronounced populist backlash against the 60s generation and their intellectual heirs? Especially given the taboos surrounding a political discourse that targets ethnic Others in Germany, the German cultural and intellectual elite, which is quite clearly out-of-step with large bits of the German populace would seem an obvious object of political ire.***  And, as we know, in the United States, the equivalent of those official Sixties liberals, despite never achieving the kind of hegemonic position that they have in Germany, have been a constant political target for almost half a century.

All of this suggests to me that there's a lot of work to be done in comparative culture wars.

__________________________________________________
* More information about Adalbert Volck and his Confederate War Etchings can be found on the websites of Baltimore's Enoch Pratt Free Library and the New-York Historical Society, both of which house Volck materials. A question for any 19th-century historians out there: was Volck a Forty-Eighter? He apparently arrived in this country that year. If so, his support of the Confederacy seems unusual to me. We all know about Forty-Eighters like Carl Shurz who fought on the Union side. Were there many Confederate Forty-Eighters?

** Though Goodhart is, I think, ultimately far too kind to Sarrazin (whom he depicts as hardheaded and sensible...and, as a member of the center-left, a very desirable alternative to the emergence of an actual German version of Geert Wilders).

*** Certainly there has been plenty of German criticism of German "official liberalism."  See, for example, Oliver Hirschbiegel's 2004 film Der Untergang (Downfall)--most famous on the interwebs for spawning the Hitler Meme.  Hirschbiegel saw his film as an attempt to "get beyond guilt," and intended it as a criticism of Sixties generation's views of the past. For their part, 68ers like Wim Wenders lambasted the film for humanizing Hitler.  This was, in many ways, a kind of aftershock of the Historikerstreit of the 1980s, one of whose key players, Joachim Fest, provided much of the material for Downfall.  But the Historikerstreit, as well as Downfall and the reactions to it, were cultural/intellectual debates largely taking place within the German intelligentsia.  Neither of them received any formal expression in electoral politics, as far as I know.  (On the politics of Downfall, see David Bathrick, "Whose Hi/story Is It? The U.S. Reception of Downfall," New German Critique 102, Vol. 34, No. 3, Fall 2007")

Culture Wars in Other Countries (Metaphorical and Real)


A couple weeks ago, this image was making its way around the left of the blogosphere (a larger version can be seen here). Hendrik Hertzberg got the ball rolling when he posted it on his New Yorker blog. Identifying it as a political cartoon by Adalbert Volck that "went viral during the 1862 midterm campaign," Hertzberg compared its attacks on Lincoln to current rightwing attacks on Obama. Matt Yglesias followed up the next day on ThinkProgress with a bit more analysis, noting that the Republicans received "a bit of a shellacking" in those midterm elections and arguing that

the evident similarities between aspects of political rhetoric today and 150 years ago highlights the extent to which the values-and-temperament debate between conservative nationalism and progressive cosmopolitanism is ultimately much more fundamental than the passing controversies over tax rates economic regulation. The basic anxieties provoked by threats to existing status hierarchies haven’t changed, nor have the rhetorical tools of countermobilization.


The following day, Amanda Marcotte of Pandagon echoed Yglesias:

This is the sort of thing that makes claims that Tea Partiers are either some new phenomenon or that they have a specific, policy-based gripe with Obama even more comical. It’s all culture war, all the time.


In fact, Hertzberg, Yglesias, and Marcotte have subtly misidentified this interesting image. It comes not from the election year of 1862, but rather from 1863. Adalbert Volck was a Bavarian-born, Baltimore dentist who, like a lot of his fellow white Marylanders, sympathized with the Confederacy. In 1863, using the pseudonym "V. Blada," he published a portfolio of thirty prints, collectively entitled Confederate War Etchings, of which the image in question, called "Worship of the North," was the first. Twenty-nine of the thirty prints (the last has apparently been lost) are available for viewing online as part of the Library of Congress's American Memory project.*

It's important that this cartoon comes from 1863 and not 1862 because its context was not a political campaign at all, but rather the Civil War itself (though of course, the War was the central political issue in the 1862 and 1864 campaigns). Interestingly, neither Hertzberg, nor Yglesias, nor Marcotte mentions the Civil War. Though American politics may feature "all culture war, all the time," it's certainly not (literally) all civil war, all the time. It is important that the context for this image was something much more wrenching and violent than an election campaign...though noting that arguably makes any similarities we might identify between it and current political rhetoric even more striking. When we see similarities between Volck's attacks on Lincoln and contemporary conservative attacks on Obama, perhaps we shouldn't see something as abstract as Yglesias's "basic anxieties provoked by threats to existing status hierarchies" or even Marcotte's American conservatives as eternal culture warriors, but rather the enduring legacy of the Civil War in American political culture and rhetoric.

But of course, we're not the only country with culture wars. Volck's homeland of Germany, after all, gave us the term "culture war" (Kulturkampf). And Germany is currently having a little culture war of its own.
This past summer, Thilo Sarrazin, an SPD politician and Bundesbank official published a book entitled Deutschland Schafft Sich Ab: Wie wir unser Land aufs Spiel setzen (Germany Does Itself In: How we are putting our country at risk).  Sarrazin's book argues that his country's growing Muslim population constitutes a social and cultural threat, especially in light of the very low birthrate among ethnic Germans.  Sarrazin's argument that Germany's Muslims are both unassimilable and genetically less intelligent than ethnic Germans caused a scandal in Germany.

In many ways, Sarrazin resembles the right-wing populists who can be found throughout Europe these days, from Geert Wilders in the Netherlands to Barbara Rosenkranz in Austria. But while the book's tendentious arguments may be old hat in Europe, they obviously strike a particular nerve in Germany, whose post-war national identity was based on a self-conscious rejection of such arguments.  Unsurprisingly the German political and intellectual establishment has nearly universally condemned the book.  Sarrazin was pressured to resign his Bundesbank post.  And though many Germans initially took comfort in the absence of any political party that might empower Sarrazin's views in Germany, the sheer popularity of the book quickly made clear that, even without such a party, many Germans embraced Sarrazin's views. Although endorsing the book remained taboo, politicians soon began "demanding that the political elite cease ignoring the fact that many in Germany support Sarrazin," according to Der Spiegel.


There are obviously many interesting aspects of the Sarrazin affair, what it reveals about, and how it may change, post-war German politics.  But I'm blogging about it because of an interesting comment by David Goodhart in his recent review of the book for the British journal Prospect (h/t Arts & Letters Daily):

Nowhere in Europe is the gap between public opinion and published opinion as wide as in Germany. And nowhere has public policy been more influenced by a 1960s generation, post-national, society-is-to-blame kind of liberalism. Yet this “official” liberalism has never reflected the way people live and think, even in the German chattering classes. When I lived in the country, 20 years ago, it felt far more socially conservative than the similar circles I had come from in London.
Goodhart's observation is, I think, entirely fair. And the recent experience of the German intellectual and cultural elite with the public reception of Sarrazin's book is further evidence of Goodhart's point.**

This vast divide between elite and popular opinion raises an interesting issue: why hasn't Germany experienced a more pronounced populist backlash against the 60s generation and their intellectual heirs? Especially given the taboos surrounding a political discourse that targets ethnic Others in Germany, the German cultural and intellectual elite, which is quite clearly out-of-step with large bits of the German populace would seem an obvious object of political ire.***  And, as we know, in the United States, the equivalent of those official Sixties liberals, despite never achieving the kind of hegemonic position that they have in Germany, have been a constant political target for almost half a century.

All of this suggests to me that there's a lot of work to be done in comparative culture wars.

__________________________________________________
* More information about Adalbert Volck and his Confederate War Etchings can be found on the websites of Baltimore's Enoch Pratt Free Library and the New-York Historical Society, both of which house Volck materials. A question for any 19th-century historians out there: was Volck a Forty-Eighter? He apparently arrived in this country that year. If so, his support of the Confederacy seems unusual to me. We all know about Forty-Eighters like Carl Shurz who fought on the Union side. Were there many Confederate Forty-Eighters?

** Though Goodhart is, I think, ultimately far too kind to Sarrazin (whom he depicts as hardheaded and sensible...and, as a member of the center-left, a very desirable alternative to the emergence of an actual German version of Geert Wilders).

*** Certainly there has been plenty of German criticism of German "official liberalism."  See, for example, Oliver Hirschbiegel's 2004 film Der Untergang (Downfall)--most famous on the interwebs for spawning the Hitler Meme.  Hirschbiegel saw his film as an attempt to "get beyond guilt," and intended it as a criticism of Sixties generation's views of the past. For their part, 68ers like Wim Wenders lambasted the film for humanizing Hitler.  This was, in many ways, a kind of aftershock of the Historikerstreit of the 1980s, one of whose key players, Joachim Fest, provided much of the material for Downfall.  But the Historikerstreit, as well as Downfall and the reactions to it, were cultural/intellectual debates largely taking place within the German intelligentsia.  Neither of them received any formal expression in electoral politics, as far as I know.  (On the politics of Downfall, see David Bathrick, "Whose Hi/story Is It? The U.S. Reception of Downfall," New German Critique 102, Vol. 34, No. 3, Fall 2007")