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Senin, 10 Desember 2012

"Free To Be...You And Me" and History

Marlo Thomas's pathbreaking record album Free To Be You and Me turned forty last month, an anniversary that has occasioned a fair amount of reflection online and elsewhere.  Slate ran an interesting three-part series about the making of the album and its legacy.  Yesterday, NPR's Weekend Edition featured a story about Free To Be...You and Me. Comedians Rob Kutner and the Levinson Brothers have even issued a parody album in celebration of the anniversary.

But there appears to be surprisingly little scholarship on Free To Be...You and Me.  There's a good chapter on it by Leslie Paris in the Oxford Handbook of Children's Literature (2011).  And Lori Rotskof and Laura L. Lovett have edited a collection of essays on Free To Be entitled When We Were Free To Be: Looking Back on a Children's Classic and the Difference It Made, which was published by UNC Press last month (and which, I should add, I haven't had a chance to look at).

The relative lack of attention is surprising for at least two reasons, the first of which is probably obvious to those of you who were born in the Sixties or Seventies.  Free To Be...You and Me, first as an album and later as a book and tv special (both of which followed about a year-and-a-half later in early 1974), was a major part of early-to-mid 1970s children's culture. The album sold hundreds of thousands of copies. The book was a best-seller and a winner of an American Library Association Award.  The TV special won an Emmy and a Peabody.*  The songs, stories, poems, and skits associated with Free To Be in its various incarnations have since become major objects of nostalgia for many in my generation. It was one of the first CDs that my wife and I bought our kids, as much a necessary import from our childhoods as Where the Wild Things Are or Goodnight Moon.

The second reason for my surprise for the relative lack of scholarly attention given to Free To Be is of more particular interest to readers of this blog.




As the historiography of the U.S. in the  last third of the twentieth century has ballooned in recent years, one common, emerging narrative thread is the notion that the left won the "culture wars," while the right won the battle over political economy. Often, these two developments are seen as two sides of the same coin.  Indeed, in its strongest versions, there's a kind of dramatic irony to this tale: the right (or at least some major piece of it) is surprised that neoliberalism cannot serve as a bulwark for traditional values, as all that is solid melts to air before it (to steal one of Andrew's favorite phrases of Marx); but the left (or at least some major piece of it) is equally surprised to discover that racial, gender, and, most recently, sexual liberation does not undermine The System or create a world of greater economic egalitarianism.

Whether or not one accepts this as the big story of the end of the (first?) American Century (and I go back and forth as to whether or not I do), Free To Be...You and Me would seem to fit such a narrative fairly well.  It marked a moment in which the Seventies were emerging out of the Sixties and helped achieve a series of fairly significant cultural changes that still fell very much within the context of consumer capitalism.

The album, book, and tv show were the product of an extraordinary moment of second-wave feminist activism.  As Leslie Paris points out, during the first years of the 1970s, a number of feminist organizations set about studying the content of children's books. Their concerns grew out of a conviction that much sexism flows from what children are taught about gender roles. What they found was that children's books tended to feature many more boy protagonists than girl protagonists. And that the boy protagonists tended to be much more active in the world at large.  Girls sometimes started stories as "tom boys," but by the end they tended to adopt more "normal" female behavior patterns (a story type that feminist critics identified as "the cop-out").  While Marlo Thomas describes her conception of Free To Me...You and Me in much more personal terms (she was disturbed at the books that her niece was reading and unable to find better alternatives in the bookstore), in fact she was part of a larger movement. Indeed, Thomas was close friends with Gloria Steinem and Free To Be...You and Me was co-created by Letty Cottin Pogrebin, an editor at the still-young Ms. magazine, which had. by 1971, already become involved in the effort to publish "stories for free children."**   As a second-generation major television personality--her father was Make Room for Daddy star Danny Thomas and she had just had her own hit with That Girl-- Thomas was able to bring an amazing set of entertainment stars to the project, including Alan Alda, Harry Belafonte, Carol Channing, Mel Brooks, Diana Ross, Rosey Greer, Shirley Jones, and Tom Smothers.

In addition to being a quite successful intervention in children's culture, Free To Be was also part of the larger spread of feminism into the American mainstream. Two important things ought to be noted about this. First, many of the album's messages about gender roles and gender stereotypes were quite challenging in the early 1970s.  For examples, "William Wants a Doll," which appeared on the album, worried executives at ABC television because, according to Thomas, they feared that it "would turn every American boy into a homosexual." Thomas had to fight for its inclusion in the tv version of Free to Be.***

Secondly, as Leslie Paris notes, Free To Be is very much an example of liberal feminism. Its chief concern is fighting sexism and gender stereotypes. Its message is deeply individualistic; all children, boys and girls, should be whatever they want to be....and can be if they simply embrace their individuality. Though it suggests a kind of joyful racial and class egalitarianism, at its center is a traditional, heteronormative vision of the family.  "William Wants a Doll," emphasizes that William is, otherwise, "normal," and that his desire to have a doll is reasonable precisely because he may be a father someday.  Indeed, "William Wants a Doll" is  prominently mentioned, for just this reason, in the negative review that fran pollner gave the album in off our backs, arguably the single most important radical feminist journal.  "Nowhere are free and loving relations between two girls or two boys depicted," wrote pollner, who suggested that the album was aimed entirely at straight, middle-class women (and women-to-be).****

One might also note that absent from Free To Be...You and Me is any very clear sense of an antagonist, beyond sexist individuals.  One of the great goals of the Sixties' New Left had been, in Paul Potter's phrase, to "name the system;" Free To Be...You and Me doesn't even attempt to do this.  There's very little sense of what one might need to do, beyond consuming the album itself,  to achieve, in the words of its opening, title song, a land where "every boy...grows to be his own man" and "every girl grows to be her own woman."  Indeed, the song simply suggests "it ain't far to this land from where we are" and "the time's comin' near" when we'll achieve it.  Indeed, the entire album is almost relentlessly upbeat and nearly utopian in tone.*****   

We might, indeed, put Free To Be...You and Me in the broader context of the kind of hopeful, earnest liberalism regularly produced by the U.S. entertainment industry, from the social problem films of the Thirties and Forties, through the Fifties and Sixties films of Stanley Kramer, to the sitcoms of Norman Lear in the 1970s and The Cosby Show in the 1980s.  What was new, however, with Free To Be, was its feminism and its focus on very young children.

Over the course of the 1970s, the kind of anti-stereotyping message that was found in Free to Be became quite common in American children's culture. You might remember, for example, this PSA produced by the Department of Health, Education and Welfare during the Carter years:




Throughout my years in elementary school in the Seventies, I remember being taught that sexism and racism were evils, and that they were caused by "prejudice" and "ignorance."  Where prejudice and ignorance came from was never made very clear.  And the implication was that knowledge itself could cure prejudice and ignorance, which made the stubborn persistence of prejudice, ignorance, sexism, and racism somewhat mysterious.  All of my peers certainly heard NFL star Rosey Greer sing "It's Alright to Cry," but as an occasionally emotionally fragile young boy, I knew damn well from personal experience that, in fact, it was not socially alright to do so. 

It's interesting to note that, following off our back's initial negative review, Free To Be...You And Me showed up over the next several decades in its pages as an object of bitter-sweet nostalgia, a key feminist text of the early Seventies that was nonetheless inadequate.  "We knew there was more to being lesbians than playing 'Free to Be You and Me' at three a.m.," wrote Sally Sheklow in a 2003 article, "but we didn't know what to do."******

More pointedly, Marilyn Webb, one of off our back's founders, tallied up the successes and failures from the vantage point of 2005:
When my daughter was born, her generation was socialized as we never were. They were supposed to be tiny feminist soldiers in training, raised on Free to Be You and Me and expected to move right through that glass ceiling. All the while, they were also supposed to understand the treachery of American arrogance and global capitalism. But today we have George W. Bush, not socialism, Condoleeza Rice, and repeated attacks against legalized abortion, national health and childcare, and the planned destruction of Medicare, whose benefits are proportionally greater for older women since we live longer than men. Yes, we opened female doors: to Little League, to medical and law offices, and to the U.S. Senate. But most American women still have to work--as I did, by the way--and still not for equal pay. And all but the rich still also have only shaky options for childcare.*******
It's somehow fitting that, two years ago, the album's title song, shorn of any transformational political message whatsoever, was very effectively used in a back-to-school Target commercial.  Whatever else Free To Be...You and Me accomplished (and I think it accomplished a fair bit that was good), it can still very effectively be used to move product, especially to the generation that initially consumed it.



[UPDATE 12/11: I realize that I had forgotten to add a citation for the pollner review of Free To Be when I originally posted this yesterday.  I've just done so.]

_________________________________________
* Leslie Paris, "Happily Ever After: Free To Be...You and Me, Second-Wave Feminism, and 1970s Children's Culture" in The Oxford Handbook of Children's Literature (Oxford, 2011), 520.

** On "Stories for Free Children," see Margaret B. McDowell, "New Didacticism: Stories for Free Children," Language Arts, Vol. 54, No. 1 (Jan. 1977), 41-47, 85.

*** Paris, 531.

**** fran pollner, "free to be...," off our backs, Vol. 3, No. 6 (February/March 1973), 19.

***** Lest you think I'm being unfair asking a children's book to be anything but relentlessly upbeat, let alone to suggest a systemic, political antagonist, compare Free To Be...You and Me to Dr. Seuss's 1971 environmental classic, The Lorax.

****** Sally Sheklow, "Blast from the Past," off our backs, Vol. 33, No. 5/6 (May-June 2003), 32.

******* Marilyn Webb, "Giving Birth and Birthing off our backs: one of the founding mothers of oob talks about motherhood then and now," off our backs, Vol. 35, No. 5/6 (May-June 2005), 23

Rabu, 28 November 2012

How Much Would You Pay for One Hour With Sandra Fluke?

Hmm, an interesting question, although it's not exactly what you might imagine. From Nathan Harden, at The College Fix.

Now, if this was what you imagined, how much would you pay for an hour with her?

Minggu, 28 Oktober 2012

The Incredible Shrinking Obama

At the Weekly Standard:

Obama Fades
With our embassies around the world besieged, and some 47 million Americans on food stamps, the pettiness of Barack Obama’s presidential campaign has been something to behold. The leader of the free world has spent the last few weeks before Election Day talking about Big Bird and “binders full of women.” His latest gambit—accusing his challenger of having “stage three Romnesia”—manages the adolescent twofer of simultaneously mocking his opponent’s name and making light of cancer.

We were convinced the Obama campaign had hit bottom, but if the president has one thing going for him it’s his ability to surprise. And so last week the Obama campaign unveiled a new campaign ad featuring Lena Dunham—the young actor, writer, and director behind HBO’s critically lauded TV series Girls.

Dunham’s argument for voting for Obama is, uh, curious: “Your first time shouldn’t be with just anybody. You want to do it with a great guy. It should be with a guy with beautiful—someone who really cares about and understands women.” The comparison of surrendering one’s virginity to voting for Barack Obama is obviously beyond tasteless, and the reaction to the video has mostly been derision and mockery. (For what it’s worth, as The Scrapbook writes, the video has 5,396 likes and 7,242 dislikes on YouTube.) It also does no credit to the Obama campaign that parallels were quickly discovered between the Dunham spot and an election ad for Vladimir Putin, whose attitudes towards gender equality are not usually held up as a model by American feminists.

Interestingly, The Weekly Standard’s movie critic John Podhoretz recently praised Dunham and her show in these pages for “bitter honesty” in portraying the misadventures of four young women in Manhattan, in contrast to the “profoundly false we-are-women-hear-us-roar gender-solidarity fantasy that was Sex and the City.” However, the Washington Examiner’s Joel Gehrke notes that Dunham’s ad turns all that on its head:
As Dunham puts it, “It’s super uncool to be out and about and someone says ‘did you vote?’ and [you reply] ‘no, I didn’t feel—I wasn’t ready.’ ”

If a girl’s not ready, she’s not ready. The president, who has two daughters, surely understands that and probably wouldn’t have released this ad if he weren’t having a hard time while asking voters for four more years in the White House.
Considering that Democrats have spent the last few months making the vile argument that Republicans who don’t support abortion on demand are encouraging rape, the president of the United States running a campaign ad implying that young women who don’t let themselves get pressured into sex are “super uncool” is more than enough to make any normal person’s head explode.
Obviously stupid people are coming up with these ideas, stupid and desperate people.

More at the link.

RELATED: At Instapundit, "ANOTHER LENA DUNHAM PARODY AD."

Jumat, 19 Oktober 2012

Why Does Obama's White House Pay Women Less?

At IBD, "No Equal Pay For Women in White House Despite Ledbetter Law":
According to a report published by the Washington Free Beacon in April, the 2011 annual report on White House staffers revealed that the median annual salary for female White House employees was 18% less than male employees — $60,000 compared with $71,000.

During the 2008 campaign, columnist Deroy Murdock wrote that female staffers in Obama's U.S. Senate office were also shortchanged. "Obama's average male employee earned $54,397," Murdock inferred from Senate salary records. But the future president's "30 female employees (earned) $45,152, on average."

Defining what constitutes "equal work" is subjective, and part of the difference above may be explained by the fact that only one of Sen. Obama's top five staffers was a woman and only seven among his top 20.

Which raises another question for the champion of women's rights.

Journalist Ron Suskind, author of "Confidence Men: Wall Street, Washington and the Education of a President," has a recorded interview with former White House communications director and Mao Tse-tung fan Anita Dunn in which she complained Obama's White House was a hostile work environment for women.

"I remember once I told Valerie (Jarrett) that, I said if it weren't for the president, this place would be in court for a hostile workplace," Dunn told Suskind. "Because it actually fit all of the classic legal requirements for a genuinely hostile workplace to women."

While President Obama champions women's rights to which Republicans are supposedly hostile, Lilly Ledbetter herself might have found his White House an unfair and hostile work environment where the boss needs to practice what he preaches.
All hypocrisy, all the way down.

Kamis, 18 Oktober 2012

Michelle Malkin Slams Anti-Woman Obama Administration

I noted previously the left's ultra-pathetic "binder" attacks on Mitt Romney. I forgot the epic hypocrisy, however --- a major omission, considering how everything's pure hypocrisy on the left.

Meet Mitt Romney's Binder Babes

Well, the progs are in fits about Mitt Romney's "binder full of women," and boy, are they jonesin' to debunk the idea that Mitt's got creds with the ladies. See the idiots at Mememorandum and especially David Bernstein, "Mind the Binder."

And at London's Daily Mail, "Revealed: The high-flying women in Romney's 'binder'... but was he telling the truth about his cabinet selection process?" And also at the Hill, "Binders' remark shines spotlight on Romney appointments as governor."

Big Bird. Binders full of women. The progs are really struggling to come up with something, just like President Clusterf-k.

Talk about playing "small ball." These people are complete losers.


Selasa, 10 April 2012

The Gay Sixties

A few weeks ago I argued here that the short era known as the “sixties” should be understood to have been radical, relative to short eras before and since, even though such an understanding need also be tempered by knowledge, bolstered by a growing historiography, that plenty of non-radical history happened in the sixties as well. Claims about the radicalness of the sixties are especially true when the history of gay liberation, largely absent from standard accounts, is included. Or, as historian John D’Emilio argues in his splendid essay, “Placing Gay in the Sixties”—chapter two of his indispensable collection, The World Turned: Essays on Gay History, Politics, and Culture—the inclusion of gay history in the larger history of the sixties changes the standard sixties narrative.

The first standard element of the sixties narrative that the inclusion of gay liberation complicates is declension. Whereas many historians and other assorted commentators (Todd Gitlin comes to mind) draw a hard-and-fast line between the “good” early sixties and the “bad” late sixties, or assume that the liberation politics of the sixties quickly gave way to the regressive politics of the seventies, D’Emilio guesses “that for many gay men and lesbians, the sixties happened in the seventies.” “While millions of gay men and lesbians around the world look to 1969 as the dawn of a bright new age,” he writes, “everyone else reads it as part of the ‘bad’ sixties and all that follows.” In other words, at the moment when the civil rights and antiwar movements were foundering on the shoals of sectarianism, police repression, and cultural backlash, the gay liberation movement had its watershed moment with the Stonewall Riots.

The best history of the Stonewall Riots, and really, one of the most interesting history books I have ever read, is Martin Duberman’s Stonewall. Duberman analyzes the Stonewall Riot, what he calls “the emblematic event” of the gay right’s movement, and its larger historical context by way of a close biographical study of six individuals. These six people were key figures in gay liberation, if not necessarily lead actors in the actual events of the riot that followed a police raid of a gay bar on Christopher Street in Manhattan on June 27, 1969. The biography of Karla Jay, currently Distinguished Professor of English and Director of Women’s and Gender Studies at Pace University, and one of the six lives Duberman chronicles, provides evidence of how the history of gay liberation shakes up standard sixties narratives.

Jay came of age in in a pre-Stonewall world. Although the gay rights movement predated Stonewall, represented by the two homophile organizations founded in the 1950s—the Mattachine Society and the Daughters of Bilitis—awareness of gay rights was limited. Even many gay rights activists were hesitant about public displays of homosexuality. The Mattachine Society, for example, relied upon alliances with respected heterosexual liberals who spoke on behalf of gay rights, since most Mattachine members preferred not to “out” themselves. Such reticence was logical given the broader cultural stigma attached to homosexuality, a stigma reflected in and reproduced by the dominant professional psychological paradigm that understood homosexuality as pathological. The American Psychological Association (APA) finally declassified homosexuality as a mental disorder in 1973, in large part due to the gay liberation movement, which targeted APA meetings for disruption.

Political repression was mirrored by the personal. Jay grew up in a fairly traditionalist Jewish household where heterosexuality was assumed normative. Thus, she was unable to form a sense of what her sexual feelings meant, one way or another. In her freshman year at Barnard in 1964 she awoke to the reality that homosexuality was taboo when two of her classmates were expelled after a peeping tom witnessed them having sex in their dorm room. The young man who ratted on them suffered no consequences for his peeping, to the contrary, he was hailed as a protector of public norms. Given this, it is no surprise that Jay hid her sexuality until she was an adult.

Like many in the gay liberation movement, Jay got her activist start as part of the broader New Left and counterculture. Formative to her cultural awakening was drug use, which she claims opened her mind to alternative viewpoints. Formative to her political awakening was participating in the 1968 protests at Columbia University, against the university’s expansion into nearby black neighborhoods, and against the institution’s military-sponsored research. But, like so many other New Left women, she grew convinced that sexism plagued the movement.

By 1969, feminism became Jay’s political priority. But just as the feminist movement gained a rebirth, signified by the 1968 Miss America pageant protest in Atlantic City,
it suffered from a wave of sectarianism every bit as divisive as the sectarianism the larger New Left experienced after the 1968 debacle in Chicago. The many thousands of women who sought to join up with the feminist movement, like Jay, had to choose sides in this sectarian struggle. Many selected the more reformist route and joined the National Organization for Women (NOW). But those feminists tied to the New Left, and thus interested in more revolutionary stances than those advocated by NOW, joined up with various radical feminist groups. But, as Alice Echols shows in Daring To Be Bad: Radical Feminism in America 1967-1975, radical feminism experienced its own schisms even apart from its differences with establishment groups like NOW. The divide, at first, was between those who sought to relate the issue of women’s liberation to larger issues already on the New left’s front burner, and those who sought to prioritize the patriarchal repression of women. Jay chose the latter since, according to Duberman, she “disliked the then common notion that feminism should take a backseat to the ‘main’ struggles against capitalism, racism, and imperialism. She saw that argument as a convenient one for men, as a long-standing rationale for deferring women’s liberation by insisting that its time had not yet come, while arguing that it would automatically come once the ‘larger’ struggle had been won.”

Jay joined Redstockings, a radical feminist group founded in 1969 by Shulamith Firestone and Ellen Willis. The Redstockings rejected many doctrinaire New Left positions, but maintained a Marxist analysis about gender inequality. They argued, for example, that women mostly married out of material needs. In terms of tactics, Redstockings focused on consciousness-raising rather than direct action. Consciousness-raising, where activists gathered together to voice their individual struggles, enabled feminists to relate their personal problems to the larger political problems of living in a patriarchal society. When Jay finally came out of the closet at a Redstockings consciousness-raising group, she realized she was among many lesbians. Thus she began the process of expanding her feminist activism to her gay rights activism. In fact, “coming out” as a political tactic was similar to consciousness-raising. Jay explained the theory that guided “coming out”: “the process of self-realization that would emerge from speaking freely and honestly to other gays in the protected atmosphere of a consciousness-raising session would ramify outward, that speaking truth would end by cleansing and reconstituting society at large.”

Jay was not a Stonewall participant. Few women were. Duberman writes about her because he seeks to demonstrate the overall effect Stonewall had on the push for gay rights. Stonewall shifted the tone of the gay right’s movement. Rather than quiet and demurring, the after effects of Stonewall enabled many young activists to be confrontational and demanding of their rights. Out of this the Gay Liberation Front (GLF) formed. Duberman writes: “Karla had been initially disdainful of the ‘little penny-ante thing’ going on at Stonewall; to her it was just another all-male squabble with the prize nothing more than the right to lead an unhampered bar life—a life she scorned. But then she got wind of the effort afoot to form a Gay Liberation Front—men and women working together to produce broad social change. Now that did interest her.”

Most of the founding GLF activists were veterans of other New Left groups. “When these young gay and lesbian radicals now flocked to join the Gay Liberation Front, they brought with them a rich set of insights from their prior involvements: from the black civil rights movement came an awareness of the inequities of American life; from the women’s movement, consciousness of sexism and the profoundly important idea that the personal is political, that one’s experience mattered; from the antiwar struggle, the revelation that the government operated as a bulwark of conformity and privilege; from the countercultural revolution, the injunction to reject all received authority, to ‘do it now, to be what you want to be.’” In this, Duberman not only relates gay liberation to the larger New Left—to the radical sixties more broadly construed—he also implies that the GLF was the culmination, the full flowering, of New Left sensibilities. The GLF carried the radical sixties into the seventies.

Stonewall—1969—was a watershed for gays, a hopeful moment in their efforts to end the sadistic homophobia that dominated American culture. 1969, then, was not the end of liberation politics. D’Emilio argues that this history of gay liberation, when included in the broader narratives at all, often serves to support the declension narrative. He draws a pithy analogy: “without exactly saying as much, gay becomes associated with reaction, backlash, and social decay. We might as well be reading Edward Gibbon’s The History of the Decline and Fall of the Roman Empire, the classic eighteenth-century work that tied Rome’s collapse to sexual immorality.” In this vein, the fall of the New Deal order, the decline of labor, is implicitly connected to the rise of gay liberation: too much is made of the changing demographics in the Democratic Party that followed the 1972 reform commission headed up by George McGovern, after which the number of minority, women, and gay delegates came to more closely represent the number of such constituents in the party, diminishing the number of (white, male) labor delegates. Jefferson Cowie’s excellent book, Stayin’ Alive: The 1970s and the Last Days of the Working Class seeks to correct this labor declension narrative by replacing it with an alternative one: the white working class helped usher in its own demise by allowing its racism, sexism, and homophobia to override class solidarity.

Of course, none of this is to suggest that the declension narrative that either ignores gay history or relates gay liberation to reaction should be replaced by Whiggish interpretations of unbroken progress. Although life in America is undoubtedly better for gays and lesbians, there has been much heartache along the way. As Lisa Szefel makes clear in her review of Age of Fracture, any history of the 1980s that ignores how the AIDS epidemic was allowed to go largely unchecked due to rampant homophobia of is not getting a very full picture. I’m working hard to avoid that mistake in my book on the culture wars. I spent a week in the Reagan archives last summer, where I discovered mountains of evidence that Reagan administration officials, especially liaisons to the Christian Right—Morton Blackwell during the first Reagan term, Gary Bauer during the second—helped spread anti-homosexual propaganda in order to slow the government response to the AIDS crisis.

But back to the sixties. If you’re interested in an alternative analytical model for understanding them, I highly recommend the D’Emilio’s chapter. It has much more in it that I have yet to mention, including a short but fascinating intellectual history of four sixties thinkers who also happened to be homosexuals: James Baldwin, Bayard Rustin, Allen Ginsberg, and Paul Goodman. D’Emilio argues their homosexuality is significant because, prior to gay liberation, to be public about one’s homosexuality, as these four men were to various, limited degrees, was a mark of protest, a willingness to thumb one’s nose at tradition. D’Emilio regards these thinkers as emblematic of a “gay sensibility” that worked to erode American traditions. Being publicly gay “branded one’s consciousness with a marker of difference… It necessarily made one perpetually aware of separation, of division in the body of humanity, of marginalization and ostracism.”

Ginsberg’s relation to gay liberation is fascinating. Although he wasn’t necessarily an activist in the typical sense of that role, the eponymous beat poet seemed to appear at all the sixties moments of radical lore. He makes an appearance at the Stonewall Inn, for example, two nights following the 1969 riot. When he saw “Gay Power!” scrawled on the front of the bar, he told a Village Voice reporter: “We’re one of the largest minorities in the country—10 percent, you know. It’s about time we did something to assert ourselves.” Ginsberg went inside the bar, which had been cleaned up and reopened, and described the customers as “beautiful—they’ve lost that wounded look that fags all had 10 years ago.” As Duberman relays: “Deputy Inspector Pine later echoed Ginsberg: ‘For those of us in public morals, things were completely changed… suddenly they were not submissive anymore.” That's a radical shift.

Kamis, 04 Agustus 2011

Book Review: Knight on Stansell’s *The Feminist Promise: 1792 to the Present*

Review of Christine Stansell’s The Feminist Promise: 1792 to the Present (New York: The Modern Library, 2010). ISBN: 978-0-679-64314-2. 503 pages. Extensive notes; no bibliography.

Reviewed by Louise Knight, Visiting Scholar
Gender Studies Program, Northwestern University


This is a bold book. Just the idea of writing a history of American feminism is bold. Yes, Mary Beard wrote Woman as Force in History in 1946, which was the first book on the history of women’s activism in the United States. Yes, Eleanor Flexner wrote Century of Struggle in 1959, which was the first book on the history of women’s suffrage (revised and expanded by Ellen Fitzpatrick in 1996). There has also been Nancy Cott’s The Grounding of Modern Feminism (1987), which is a history of women’s movements in the United States between 1910 and 1930, and innumerable histories of the 1960s resurgence of the women’s movement, popularly known as the “Second Wave,” and some about the third wave too. The most comprehensive, thoroughly footnoted book I know of is Estelle B. Freedman’s excellent No Turning Back: The History of Feminism (Random House, 2002), but it is thematically organized and dense with facts. Christine Stansell, a professor of history at the University of Chicago, has had the vision, stamina, and sheer chutzpah to tackle the big subject chronologically, with an emphasis on its contentious intellectual complexity. The Feminist Promise is an important first.

What exactly is it about? At its core the book is a history of a set of ideas that revolutionized American society by restructuring not just gender relations and women’s place in the world but, first and foremost, women’s expectations for themselves. It is about the conceivers of those ideas but also about the people and organizations who pushed for and resisted them, as well as the on-the-ground social change that resulted, or did not. And it is about the arguments within feminism, of which there have been many. As Stansell writes in the Introduction, “Feminism is an argument, not received truth” (xix). The observation is one of the first clues that this is a book that keeps ideas in focus, and does not consider them as a sidelight to social action.

To write such a groundbreaking book, Stansell had to sort through a set of key decisions. The first was about its temporal scope. Stansell and her publisher, The Modern Library, wanted a definitive work, and so they embraced the whole enchilada: from “1792 to the present,” as the subtitle of the book states. However, this grand ambition could not be fully executed in the 400 pages of text that the publisher was willing to provide. Therefore, the book gives short shrift to the traditional “hole” in the history of feminism (though scholars have been filling it for years), 1920 to 1945. And by short I mean very short, like a few pages.

Another decision was to emphasize recent history. Thus the period 1968 to the present takes up half of the book. There are good arguments to support that decision, given the wider interest among scholars and students in the late twentieth century than in the nineteenth but it does make the book lopsided. At the same time, feminists under 50 will want to challenge the book’s claim to cover feminism up to the present, since the only story it tells about the years after 1980 is the rise of global feminism. (One suspects the publisher deserves credit for the subtitle’s claim.)

The inclusion of a whole chapter on global feminism, however, does not change the fact that Stansell’s story is really about the United States. Elsewhere in the book she blurs the parameters a bit by reaching across the ocean to Europe to connect with developments there. This international awareness enriches the book, but does not change the fact that it is a history of American feminism.

Another decision was to focus on the women’s intellectual traditions and deal only in passing with the intellectual traditions launched by men. Liberalism, utilitarianism, Marxism, socialism, and the ideas of the New Left. These all make appearances, reflecting the work of many scholars, but Stansell does not frame her story around them. This seems reasonable, given the complexity of her topic and the originality of her effort, not to mention her larger feminist point – that feminism, in seeking to break with the patriarchal mindframe, often reacted against aspects of these traditions even as it was also shaped by them.

Another interesting choice was to avoid framing this history of feminism as a series of “waves.” Stansell joins Jo Freeman and Linda Nicholson, among others, in finding the wave metaphor un-useful.[1] She does not engage the arguments directly but she makes it clear that the history of feminism is continuous from the 1790s, that feminists have embraced different arguments and reform tasks at different points in their history, and that at no period have all feminists agreed on everything.

Finally there is the sticky question of whether the word “feminist” should be applied, as Nancy Cott has argued, only to those who embrace a specific set of ideas. Her definition has three components: a belief in sex equality, a belief that women’s condition is socially constructed, and a belief that women should work together to achieve equality on the basis of sex solidarity. Cott argues that this feminism emerged around 1900 and is distinctly different than the ideas of the nineteenth-century woman’s movement.[2] Obviously Stansell rejects that argument and adopts the term “feminism” as a transhistorical concept. This makes sense to me.[3] Would we argue that African Americans were not fighting racism until the term was invented and a certain set of specific ideas coalesced around it? Do we identify democracy as rising only when a group of historical actors began using the term in a modern way? Just as democracy has been, and is much, a contested set of ideas, the same is true of feminism. Cott’s definition is about one side of a lively, more than two-hundred-year debate. Taking this broader view, Stansell frames feminism as the whole argument across time.

Stansell works hard to keep women in all their diversity – of race, ethnicity, gender orientation and class – in focus, and does fairly well at this challenging task. Inevitably others would have made different choices. She is especially strong on the ideas and experiences of black women engaged in social justice efforts and the place of gay rights movement in feminist history and vice versa. In my opinion, the labor movement’s contributions to feminism merited more attention. Others might say the same of her treatment of socialist feminism and Latina American and Asian American feminism.

Another key decision for Stansell was about the authorial voice. Would she stand outside feminism and look at it as if she was not herself a feminist? Or would she inhabit the ideas she was writing about? She chose to write it as a feminist. This was not only a more honest choice but also an inspired one. Her pen teaches the reader about feminism by the way it frames the insights of the book. And her honesty is important too because societal truth marches on. No one today would think it right for a scholar, black or otherwise, to write a history of the struggle for racial equality in which he or she treated racism as a respectable idea, or for an historian of gay rights to treat homophobia as just one more viewpoint. Stansell apparently also believes it is time for scholars to stop being afraid of owning feminism. And she succeeds brilliantly in showing how it is done. I have never read a history that inhabits feminism so well. For example, she writes of the 1950s, “To look squarely at the landscape was to confront frank expressions of male dominance, outcroppings of patriarchy supposedly abolished by post-Nineteenth Amendment modernity” (191).

Perhaps one of the most difficult, complicated ideas in the history of feminist thought is that of motherhood. It is at once a biological reality that has enriched women’s lives, and a powerful ideology that has been deployed by men since the dawn of consciousness to elevate and restrict women. At the same time, women have used the idea for their own purposes, including self-aggrandizement within the home, but also to liberate themselves from it. For these reasons, feminist historians have found the idea endlessly perplexing and have sometimes resolved the problem by treating it too simplistically, either as something inherently good or inherently dangerous. Stansell, who is often finely nuanced in her interpretations, treats motherhood with insight and sensitivity in her discussion of the 1960s. “It was not that women’s liberation was anti-mother, or that there were no actual mothers involved, but rather that motherhood seemed a state that was irrelevant, perhaps inimical, to sisterhood” (262).

Stansell is also brilliant in her incisive discussions of the leading intellectuals of feminism. She credits Mary Wollstonecraft’s A Vindication of the Rights of Woman (1792) with laying “the intellectual basis for modern feminism” by announcing that “power, not nature, determined the relations of women and men,” and that expectations about how women should think and act “were in truth born of a system of male privilege and tyranny as corrupt as any monarchy” (25-26). Stansell goes on to point out that the intellectual tradition of liberalism was born of that same system. “Feminist theorists,” she notes, “have stressed that liberalism was always premised on women’s subjection, that the female sex was the exception to equality that made equality imaginable….Liberal rights-bearing citizens remained paradigmatically male for more than a century.” As for today, Stansell asserts: “Liberal democracy’s abstract promises … remain… resistant to extending their benefits across the sex line” (26).

Stansell gives generous space and analysis to the major American feminist intellectuals of the nineteenth century: Sarah and Angelina Grimké and Margaret Fuller. She credits the abolitionist-feminist Grimké sisters as being the first to argue for women’s equality based the religious idea of “the absolute moral equality of all human beings”(42). As Sarah Grimké crisply wrote, “Whatsoever it is morally right for a man to do, it is morally right for a woman to do” (46). Stansell credits Margaret Fuller with being “one of the first feminists to grasp the importance of expressiveness, reflection, and subjective exploration of women’s emancipation.” Stansell’s next observation sparkles: “This Romantic current would, in future years, nourish American feminism’s ventures into personal transformation that outstripped the liberal paradigm of women’s rights”( 64-65).

Strangely, Stansell does not write much about the two leading feminist intellectuals of the early twentieth century: Charlotte Perkins Gilman and Jane Addams. To be sure, Addams did not write a book about her feminist views, although she did write a chapter about the women’s movement in Second Twenty Years at Hull-House (1930), but Gilman wrote two feminist books: The Home, which Stansell discusses briefly, and Women and Economics (1898), which she does not. Stansell grasps the spirit of the feminists of that time. “Theirs was a feminism that was part of a broad democratic push,” she writes (151). But like many before her, she keeps the focus on the suffrage movement and only touches lightly on these feminists’ impressive efforts on issues affecting working women and working children and on the ideas that infused their cross-class feminism.

As noted earlier, the book’s two halves are lopsided in their treatment of historical time. The second half, which begins in 1968, also lacks the intellectual continuity that fuels the first half. With only 42 years left to cover and with 200 pages available, Stansell no longer sweeps grandly along but instead dives deeper into the details of events, organizations, and personalities. For this reason, or perhaps some other, the book is more fragmented in this half, especially in the three chapters that cover that very fragmented period of 1920-1975. But there are plenty of lively, pointed insights. Writing about the radical feminists of the 1960s, Stansell notes:

Women’s liberation retained the male left’s habits of sweeping indictment, the heavy-handed Marxist-Leninist theorizing, the scorn for compromise, the insistence that life was lived in blacks and whites and not in grays, the penchant for histrionic displays of outrage and suffering, the faith that sheer will power could bring about a perfect- or near-perfect society purged of wrongs (230).

Though Stansell is tough at times on the radical feminists, as she is here, she is not one-sided in her views. She rightly credits the women’s liberation wing of the movement for its important stress on the psychological dimensions of sexism and therefore the need for “consciousness-raising” as the key feminist reform (244).

One of the strongest later chapters is that on abortion, birth control, and rape. Titled, “The Politics of the Body,” it covers the huge amount of thought and activism these issues generated from 1965 to 1980, and brings coherence to a period that many of us remember as chaotic. Stansell is at her best unpacking the ideas behind these issues, and narrating some of the most successful grassroots organizing and legal activism in the history of the feminism -- and some of the most effective opposition too. Stansell’s observations about the core idea that fueled the abortion movement is worth quoting at length:

The maxim of a woman’s right to choose lit a fire under a great pile of misogynist and patriarchal assumptions and laws. As it spread, it became one of the most attractive ideas that second-wave feminism bequeathed – not only to the country but to the world. It brought to light an age-old assumption buried in women’s cultures: that it was up to the pregnant woman to decide whether to continue her pregnancy. For another, it moved body politics formally into the regime of rights and pressed the question of self-ownership, raised in the nineteenth century by [Elizabeth Cady] Stanton and [John Stuart] Mill as one of legal and economic standing, into the realm of corporeal dignity. Body politics turned into a political principle with wings, poised to fly across borders and oceans in widening feminist discussions in the 1970s and 1980s (326).

What is interesting, of course, is that we do not know the name of the woman who first argued in a public forum that women had a right to choose whether or not to have an abortion. It appears this intellectual revolution was entirely democratic, that it arose among the people as a conviction rooted in the liberal tradition of American individualism and made manifest in social action, including, eventually, court cases. (This is one example of how liberalism has served feminism, even as it also remains true that, our liberal democracy has yet to extend its benefits to all women. Liberalism is a constellation of possibilities useful to diverse political positions.)

To be sure, there were thinkers who shaped the recent history of feminism and Stansell attends to them. Simone de Beauvoir’s The Second Sex (1953) and Kate Millett’s Sexual Politics (1970), are discussed, the former at length. She credits Susan Brownmiller’s Against Our Will (1975), a book about the place of rape in American culture, with having “presented a comprehensive view of male power in its most violent manifestations” (344). As for Betty Friedan’s The Feminine Mystique, Stansell acknowledges that it transformed white suburban housewives’ self-awareness and emboldened them to challenge sexist assumptions about the rules of domesticity. “Not since Charlotte Perkins Gilman’s The Home had anyone spoken so baldly of the claustrophobia of domestic life, the tedium of full-time child care, and the housewife’s ennui.” But she also gives the book a fabulously insightful and deserved push off the top shelf of intellectual history, and concludes by dismissing it as a “period piece” full of “heavy-handed rhetoric.” (205).

The last chapter tells the story of how the feminism – American or otherwise – has transformed the lives of women around the world since 1980. The focus is on the work of women’s nongovernmental organizations (NGOs) and international agreements and conferences, like the Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW) and the four United Nations World Conferences on Women. The chapter makes fascinating reading. Once again, Stansell has shaped events from newspaper headlines and magazine articles into a strong narrative about what is truly an historic development: the way that, in her words, “feminist questions [have] moved to the center of international deliberations” (393).

My main complaint about the chapter is that it is written as if the story began in the last part of the twentieth century. Stansell has traced the origins of the term, “global feminism” to a 1983 Rotterdam conference on international “sexual slavery” (357), but the actual history begins much earlier, as Bonnie Anderson has thoroughly documented in her book Joyous Greetings: the First International Women’s Movement, 1830-1860 (New York: Oxford University Press, 2000). And global feminism continued to thrive, reaching an impressive organizational peak between 1900 and 1914, when there were many international conferences, not only on suffrage but also on other issues, like sex trafficking, and again in the 1920s and 1930s, most notably through the work of the Women’s International League for Peace and Freedom, whose reform agenda included women’s rights and whose sections stretched around the world. Stansell might have at least nodded in the direction of this history as a way to frame her chapter.

My main complaint about this important book is that, as noted earlier, The Feminist Promise tells the story of American feminism -- aside from its role in global feminism – only through 1980. This leaves unanswered the question, “What is the domestic American feminist history of the last 30 years?” It is not an easy question for an historian like Stansell to answer, an historian who, as she notes, became a feminist in 1969 (395). Those who came along later had some criticisms to make of older feminists, as Stansell acknowledges (357), and often disagreed with their ideas as they understood them. Perhaps it is understandable that, the subtitle notwithstanding, she chose not to tackle that complicated story. Happily, others have. The best book I know, written in a spirit of true cross-generational sisterhood, is Deborah Siegel’s insightful Sisterhood Interrupted: From Radical Women to Grrls Gone Wild (New York: Palgrave Macmillan, 2007).[4]

American women have made enormous progress since 1792, as Stansell notes in her conclusion, but it is also true, as she points out, that “women are still handicapped and excluded in innumerable ways” (396). She lists some of these: women are still underpaid at work; women still do more housework and take care of children more than their male partners do even when they are working just as much outside the home; divorce is still an economic and social calamity for women and children; and men still talk a lot and therefore disproportionately dominate public conversations. Younger feminists would add more issues to the list: girls and women are still denied reproductive rights, including sex education, still forced into sexual slavery, and still suffer disproportionately from domestic violence and sexual abuse.

It is striking that the solutions to all these problems (at least apparently) lie less in the realm of ideas and more in the realm of grassroots organizing, institutional reforms, and legal action. As Gloria Steinem recently noted, “Consciousness goes like the wind, but reforming the power structures takes a long time.”[5] Stansell seems to acknowledge that at the end when she explains her hope for the book: “that it may transport the riches and assurances of the past, along with its sobering lessons, to the women and men who now take up the task of making good on feminism’s democratic promise.”

Alternatively, or in addition, it may be in the twenty-first century, as was the case for abortion rights and global feminism in the twentieth, that the important intellectual achievements -- the breakthrough ideas that transform the impossible into the achievable -- will come from the ground up, from the conversations people have every day. Such a trend suits our intensely democratic times. On the other hand, one cannot help but wonder if somewhere a brilliant feminist mind is cogitating and if we will all benefit from its insights soon. Meanwhile, intellectual historians and historians generally are in Christine Stansell’s debt for reminding us how far, and by what means, we have come.

Postscript—A word about the index of Feminist Promise: Unfortunately the index is typical of what publishers these days consider adequate: nearly all the entries are proper names. For any book, this is a huge loss, but for a book of intellectual history, this is a travesty. Authors seem to have no choice but to hire someone to do a better index or to do the index themselves. I found it challenging to write this review until I remembered that I could search for key words in the Google Books snippets edition of The Feminist Promise. But even that useful technology cannot replace a good index.

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[1] Freeman and Nicholson agree about the uselessness of the wave metaphor, but for somewhat different reasons. See “Waves of Feminism,” at Jo Freeman.com and Linda Nicholson, “Feminism in ‘Waves’: Useful Metaphor or Not?,” New Politics vol. XII, no. 4 (winter 2010), Whole no. 48.

[2] Cott, The Grounding of Modern Feminism (New Haven: Yale University Press, 1987), 6-7. Cott does not use the label “individualist” here, but she speaks of feminists’ embrace of “individuality” as one of their principles. In a later short piece, she sharpens this part of her argument. See Nancy Cott, “Comment on Karen Offen’s ‘Defining Feminism: A Comparative Historical Approach,’” Signs 15, No. 1 (Autumn 1989): 203-205.

[3] Furthermore, by Cott’s own definition, feminism existed in the nineteenth century, as the feminist writings of Lucy Stone or Angelina and Sarah Grimké make clear.

[4] See also Siegel’s excellent essay on third wave feminist theory, “The Legacy of the Personal: Generating Theory in Feminism’s Third Wave,” Hypatia 12, no. 3: Third Wave Feminisms (Summer 1997): 46-75.

[5] Gloria Steinem interview, “Need to Know” Show, PBS video, July 15, 2011.

Book Review: Knight on Stansell’s *The Feminist Promise: 1792 to the Present*

Review of Christine Stansell’s The Feminist Promise: 1792 to the Present (New York: The Modern Library, 2010). ISBN: 978-0-679-64314-2. 503 pages. Extensive notes; no bibliography.

Reviewed by Louise Knight, Visiting Scholar
Gender Studies Program, Northwestern University


This is a bold book. Just the idea of writing a history of American feminism is bold. Yes, Mary Beard wrote Woman as Force in History in 1946, which was the first book on the history of women’s activism in the United States. Yes, Eleanor Flexner wrote Century of Struggle in 1959, which was the first book on the history of women’s suffrage (revised and expanded by Ellen Fitzpatrick in 1996). There has also been Nancy Cott’s The Grounding of Modern Feminism (1987), which is a history of women’s movements in the United States between 1910 and 1930, and innumerable histories of the 1960s resurgence of the women’s movement, popularly known as the “Second Wave,” and some about the third wave too. The most comprehensive, thoroughly footnoted book I know of is Estelle B. Freedman’s excellent No Turning Back: The History of Feminism (Random House, 2002), but it is thematically organized and dense with facts. Christine Stansell, a professor of history at the University of Chicago, has had the vision, stamina, and sheer chutzpah to tackle the big subject chronologically, with an emphasis on its contentious intellectual complexity. The Feminist Promise is an important first.

What exactly is it about? At its core the book is a history of a set of ideas that revolutionized American society by restructuring not just gender relations and women’s place in the world but, first and foremost, women’s expectations for themselves. It is about the conceivers of those ideas but also about the people and organizations who pushed for and resisted them, as well as the on-the-ground social change that resulted, or did not. And it is about the arguments within feminism, of which there have been many. As Stansell writes in the Introduction, “Feminism is an argument, not received truth” (xix). The observation is one of the first clues that this is a book that keeps ideas in focus, and does not consider them as a sidelight to social action.

To write such a groundbreaking book, Stansell had to sort through a set of key decisions. The first was about its temporal scope. Stansell and her publisher, The Modern Library, wanted a definitive work, and so they embraced the whole enchilada: from “1792 to the present,” as the subtitle of the book states. However, this grand ambition could not be fully executed in the 400 pages of text that the publisher was willing to provide. Therefore, the book gives short shrift to the traditional “hole” in the history of feminism (though scholars have been filling it for years), 1920 to 1945. And by short I mean very short, like a few pages.

Another decision was to emphasize recent history. Thus the period 1968 to the present takes up half of the book. There are good arguments to support that decision, given the wider interest among scholars and students in the late twentieth century than in the nineteenth but it does make the book lopsided. At the same time, feminists under 50 will want to challenge the book’s claim to cover feminism up to the present, since the only story it tells about the years after 1980 is the rise of global feminism. (One suspects the publisher deserves credit for the subtitle’s claim.)

The inclusion of a whole chapter on global feminism, however, does not change the fact that Stansell’s story is really about the United States. Elsewhere in the book she blurs the parameters a bit by reaching across the ocean to Europe to connect with developments there. This international awareness enriches the book, but does not change the fact that it is a history of American feminism.

Another decision was to focus on the women’s intellectual traditions and deal only in passing with the intellectual traditions launched by men. Liberalism, utilitarianism, Marxism, socialism, and the ideas of the New Left. These all make appearances, reflecting the work of many scholars, but Stansell does not frame her story around them. This seems reasonable, given the complexity of her topic and the originality of her effort, not to mention her larger feminist point – that feminism, in seeking to break with the patriarchal mindframe, often reacted against aspects of these traditions even as it was also shaped by them.

Another interesting choice was to avoid framing this history of feminism as a series of “waves.” Stansell joins Jo Freeman and Linda Nicholson, among others, in finding the wave metaphor un-useful.[1] She does not engage the arguments directly but she makes it clear that the history of feminism is continuous from the 1790s, that feminists have embraced different arguments and reform tasks at different points in their history, and that at no period have all feminists agreed on everything.

Finally there is the sticky question of whether the word “feminist” should be applied, as Nancy Cott has argued, only to those who embrace a specific set of ideas. Her definition has three components: a belief in sex equality, a belief that women’s condition is socially constructed, and a belief that women should work together to achieve equality on the basis of sex solidarity. Cott argues that this feminism emerged around 1900 and is distinctly different than the ideas of the nineteenth-century woman’s movement.[2] Obviously Stansell rejects that argument and adopts the term “feminism” as a transhistorical concept. This makes sense to me.[3] Would we argue that African Americans were not fighting racism until the term was invented and a certain set of specific ideas coalesced around it? Do we identify democracy as rising only when a group of historical actors began using the term in a modern way? Just as democracy has been, and is much, a contested set of ideas, the same is true of feminism. Cott’s definition is about one side of a lively, more than two-hundred-year debate. Taking this broader view, Stansell frames feminism as the whole argument across time.

Stansell works hard to keep women in all their diversity – of race, ethnicity, gender orientation and class – in focus, and does fairly well at this challenging task. Inevitably others would have made different choices. She is especially strong on the ideas and experiences of black women engaged in social justice efforts and the place of gay rights movement in feminist history and vice versa. In my opinion, the labor movement’s contributions to feminism merited more attention. Others might say the same of her treatment of socialist feminism and Latina American and Asian American feminism.

Another key decision for Stansell was about the authorial voice. Would she stand outside feminism and look at it as if she was not herself a feminist? Or would she inhabit the ideas she was writing about? She chose to write it as a feminist. This was not only a more honest choice but also an inspired one. Her pen teaches the reader about feminism by the way it frames the insights of the book. And her honesty is important too because societal truth marches on. No one today would think it right for a scholar, black or otherwise, to write a history of the struggle for racial equality in which he or she treated racism as a respectable idea, or for an historian of gay rights to treat homophobia as just one more viewpoint. Stansell apparently also believes it is time for scholars to stop being afraid of owning feminism. And she succeeds brilliantly in showing how it is done. I have never read a history that inhabits feminism so well. For example, she writes of the 1950s, “To look squarely at the landscape was to confront frank expressions of male dominance, outcroppings of patriarchy supposedly abolished by post-Nineteenth Amendment modernity” (191).

Perhaps one of the most difficult, complicated ideas in the history of feminist thought is that of motherhood. It is at once a biological reality that has enriched women’s lives, and a powerful ideology that has been deployed by men since the dawn of consciousness to elevate and restrict women. At the same time, women have used the idea for their own purposes, including self-aggrandizement within the home, but also to liberate themselves from it. For these reasons, feminist historians have found the idea endlessly perplexing and have sometimes resolved the problem by treating it too simplistically, either as something inherently good or inherently dangerous. Stansell, who is often finely nuanced in her interpretations, treats motherhood with insight and sensitivity in her discussion of the 1960s. “It was not that women’s liberation was anti-mother, or that there were no actual mothers involved, but rather that motherhood seemed a state that was irrelevant, perhaps inimical, to sisterhood” (262).

Stansell is also brilliant in her incisive discussions of the leading intellectuals of feminism. She credits Mary Wollstonecraft’s A Vindication of the Rights of Woman (1792) with laying “the intellectual basis for modern feminism” by announcing that “power, not nature, determined the relations of women and men,” and that expectations about how women should think and act “were in truth born of a system of male privilege and tyranny as corrupt as any monarchy” (25-26). Stansell goes on to point out that the intellectual tradition of liberalism was born of that same system. “Feminist theorists,” she notes, “have stressed that liberalism was always premised on women’s subjection, that the female sex was the exception to equality that made equality imaginable….Liberal rights-bearing citizens remained paradigmatically male for more than a century.” As for today, Stansell asserts: “Liberal democracy’s abstract promises … remain… resistant to extending their benefits across the sex line” (26).

Stansell gives generous space and analysis to the major American feminist intellectuals of the nineteenth century: Sarah and Angelina Grimké and Margaret Fuller. She credits the abolitionist-feminist Grimké sisters as being the first to argue for women’s equality based the religious idea of “the absolute moral equality of all human beings”(42). As Sarah Grimké crisply wrote, “Whatsoever it is morally right for a man to do, it is morally right for a woman to do” (46). Stansell credits Margaret Fuller with being “one of the first feminists to grasp the importance of expressiveness, reflection, and subjective exploration of women’s emancipation.” Stansell’s next observation sparkles: “This Romantic current would, in future years, nourish American feminism’s ventures into personal transformation that outstripped the liberal paradigm of women’s rights”( 64-65).

Strangely, Stansell does not write much about the two leading feminist intellectuals of the early twentieth century: Charlotte Perkins Gilman and Jane Addams. To be sure, Addams did not write a book about her feminist views, although she did write a chapter about the women’s movement in Second Twenty Years at Hull-House (1930), but Gilman wrote two feminist books: The Home, which Stansell discusses briefly, and Women and Economics (1898), which she does not. Stansell grasps the spirit of the feminists of that time. “Theirs was a feminism that was part of a broad democratic push,” she writes (151). But like many before her, she keeps the focus on the suffrage movement and only touches lightly on these feminists’ impressive efforts on issues affecting working women and working children and on the ideas that infused their cross-class feminism.

As noted earlier, the book’s two halves are lopsided in their treatment of historical time. The second half, which begins in 1968, also lacks the intellectual continuity that fuels the first half. With only 42 years left to cover and with 200 pages available, Stansell no longer sweeps grandly along but instead dives deeper into the details of events, organizations, and personalities. For this reason, or perhaps some other, the book is more fragmented in this half, especially in the three chapters that cover that very fragmented period of 1920-1975. But there are plenty of lively, pointed insights. Writing about the radical feminists of the 1960s, Stansell notes:

Women’s liberation retained the male left’s habits of sweeping indictment, the heavy-handed Marxist-Leninist theorizing, the scorn for compromise, the insistence that life was lived in blacks and whites and not in grays, the penchant for histrionic displays of outrage and suffering, the faith that sheer will power could bring about a perfect- or near-perfect society purged of wrongs (230).

Though Stansell is tough at times on the radical feminists, as she is here, she is not one-sided in her views. She rightly credits the women’s liberation wing of the movement for its important stress on the psychological dimensions of sexism and therefore the need for “consciousness-raising” as the key feminist reform (244).

One of the strongest later chapters is that on abortion, birth control, and rape. Titled, “The Politics of the Body,” it covers the huge amount of thought and activism these issues generated from 1965 to 1980, and brings coherence to a period that many of us remember as chaotic. Stansell is at her best unpacking the ideas behind these issues, and narrating some of the most successful grassroots organizing and legal activism in the history of the feminism -- and some of the most effective opposition too. Stansell’s observations about the core idea that fueled the abortion movement is worth quoting at length:

The maxim of a woman’s right to choose lit a fire under a great pile of misogynist and patriarchal assumptions and laws. As it spread, it became one of the most attractive ideas that second-wave feminism bequeathed – not only to the country but to the world. It brought to light an age-old assumption buried in women’s cultures: that it was up to the pregnant woman to decide whether to continue her pregnancy. For another, it moved body politics formally into the regime of rights and pressed the question of self-ownership, raised in the nineteenth century by [Elizabeth Cady] Stanton and [John Stuart] Mill as one of legal and economic standing, into the realm of corporeal dignity. Body politics turned into a political principle with wings, poised to fly across borders and oceans in widening feminist discussions in the 1970s and 1980s (326).

What is interesting, of course, is that we do not know the name of the woman who first argued in a public forum that women had a right to choose whether or not to have an abortion. It appears this intellectual revolution was entirely democratic, that it arose among the people as a conviction rooted in the liberal tradition of American individualism and made manifest in social action, including, eventually, court cases. (This is one example of how liberalism has served feminism, even as it also remains true that, our liberal democracy has yet to extend its benefits to all women. Liberalism is a constellation of possibilities useful to diverse political positions.)

To be sure, there were thinkers who shaped the recent history of feminism and Stansell attends to them. Simone de Beauvoir’s The Second Sex (1953) and Kate Millett’s Sexual Politics (1970), are discussed, the former at length. She credits Susan Brownmiller’s Against Our Will (1975), a book about the place of rape in American culture, with having “presented a comprehensive view of male power in its most violent manifestations” (344). As for Betty Friedan’s The Feminine Mystique, Stansell acknowledges that it transformed white suburban housewives’ self-awareness and emboldened them to challenge sexist assumptions about the rules of domesticity. “Not since Charlotte Perkins Gilman’s The Home had anyone spoken so baldly of the claustrophobia of domestic life, the tedium of full-time child care, and the housewife’s ennui.” But she also gives the book a fabulously insightful and deserved push off the top shelf of intellectual history, and concludes by dismissing it as a “period piece” full of “heavy-handed rhetoric.” (205).

The last chapter tells the story of how the feminism – American or otherwise – has transformed the lives of women around the world since 1980. The focus is on the work of women’s nongovernmental organizations (NGOs) and international agreements and conferences, like the Convention on the Elimination of All Forms of Discrimination Against Women (CEDAW) and the four United Nations World Conferences on Women. The chapter makes fascinating reading. Once again, Stansell has shaped events from newspaper headlines and magazine articles into a strong narrative about what is truly an historic development: the way that, in her words, “feminist questions [have] moved to the center of international deliberations” (393).

My main complaint about the chapter is that it is written as if the story began in the last part of the twentieth century. Stansell has traced the origins of the term, “global feminism” to a 1983 Rotterdam conference on international “sexual slavery” (357), but the actual history begins much earlier, as Bonnie Anderson has thoroughly documented in her book Joyous Greetings: the First International Women’s Movement, 1830-1860 (New York: Oxford University Press, 2000). And global feminism continued to thrive, reaching an impressive organizational peak between 1900 and 1914, when there were many international conferences, not only on suffrage but also on other issues, like sex trafficking, and again in the 1920s and 1930s, most notably through the work of the Women’s International League for Peace and Freedom, whose reform agenda included women’s rights and whose sections stretched around the world. Stansell might have at least nodded in the direction of this history as a way to frame her chapter.

My main complaint about this important book is that, as noted earlier, The Feminist Promise tells the story of American feminism -- aside from its role in global feminism – only through 1980. This leaves unanswered the question, “What is the domestic American feminist history of the last 30 years?” It is not an easy question for an historian like Stansell to answer, an historian who, as she notes, became a feminist in 1969 (395). Those who came along later had some criticisms to make of older feminists, as Stansell acknowledges (357), and often disagreed with their ideas as they understood them. Perhaps it is understandable that, the subtitle notwithstanding, she chose not to tackle that complicated story. Happily, others have. The best book I know, written in a spirit of true cross-generational sisterhood, is Deborah Siegel’s insightful Sisterhood Interrupted: From Radical Women to Grrls Gone Wild (New York: Palgrave Macmillan, 2007).[4]

American women have made enormous progress since 1792, as Stansell notes in her conclusion, but it is also true, as she points out, that “women are still handicapped and excluded in innumerable ways” (396). She lists some of these: women are still underpaid at work; women still do more housework and take care of children more than their male partners do even when they are working just as much outside the home; divorce is still an economic and social calamity for women and children; and men still talk a lot and therefore disproportionately dominate public conversations. Younger feminists would add more issues to the list: girls and women are still denied reproductive rights, including sex education, still forced into sexual slavery, and still suffer disproportionately from domestic violence and sexual abuse.

It is striking that the solutions to all these problems (at least apparently) lie less in the realm of ideas and more in the realm of grassroots organizing, institutional reforms, and legal action. As Gloria Steinem recently noted, “Consciousness goes like the wind, but reforming the power structures takes a long time.”[5] Stansell seems to acknowledge that at the end when she explains her hope for the book: “that it may transport the riches and assurances of the past, along with its sobering lessons, to the women and men who now take up the task of making good on feminism’s democratic promise.”

Alternatively, or in addition, it may be in the twenty-first century, as was the case for abortion rights and global feminism in the twentieth, that the important intellectual achievements -- the breakthrough ideas that transform the impossible into the achievable -- will come from the ground up, from the conversations people have every day. Such a trend suits our intensely democratic times. On the other hand, one cannot help but wonder if somewhere a brilliant feminist mind is cogitating and if we will all benefit from its insights soon. Meanwhile, intellectual historians and historians generally are in Christine Stansell’s debt for reminding us how far, and by what means, we have come.

Postscript—A word about the index of Feminist Promise: Unfortunately the index is typical of what publishers these days consider adequate: nearly all the entries are proper names. For any book, this is a huge loss, but for a book of intellectual history, this is a travesty. Authors seem to have no choice but to hire someone to do a better index or to do the index themselves. I found it challenging to write this review until I remembered that I could search for key words in the Google Books snippets edition of The Feminist Promise. But even that useful technology cannot replace a good index.

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[1] Freeman and Nicholson agree about the uselessness of the wave metaphor, but for somewhat different reasons. See “Waves of Feminism,” at Jo Freeman.com and Linda Nicholson, “Feminism in ‘Waves’: Useful Metaphor or Not?,” New Politics vol. XII, no. 4 (winter 2010), Whole no. 48.

[2] Cott, The Grounding of Modern Feminism (New Haven: Yale University Press, 1987), 6-7. Cott does not use the label “individualist” here, but she speaks of feminists’ embrace of “individuality” as one of their principles. In a later short piece, she sharpens this part of her argument. See Nancy Cott, “Comment on Karen Offen’s ‘Defining Feminism: A Comparative Historical Approach,’” Signs 15, No. 1 (Autumn 1989): 203-205.

[3] Furthermore, by Cott’s own definition, feminism existed in the nineteenth century, as the feminist writings of Lucy Stone or Angelina and Sarah Grimké make clear.

[4] See also Siegel’s excellent essay on third wave feminist theory, “The Legacy of the Personal: Generating Theory in Feminism’s Third Wave,” Hypatia 12, no. 3: Third Wave Feminisms (Summer 1997): 46-75.

[5] Gloria Steinem interview, “Need to Know” Show, PBS video, July 15, 2011.