'If you are not illiterate, you can use civilization, monarchy, dominance, correspond, emphasize, opposition, chlorine, commotion, medicinal, irresponsible, and succession in one sentence...'

Via Mellow Jihadi:

Real World Intrudes Into Gamers' Universe

At the New York Times, "Game Theory: A Year When Real-World Violence Crept Into Play":

It’s hard to talk about video games and 2012 without addressing the shooting at Sandy Hook Elementary School in Newtown, Conn., and the inevitable debate over violent games that emerged from the entirely predictable discovery that Adam Lanza, the 20-year-old gunman, played Call of Duty games. (Perhaps he also ate Big Macs; he’s in that core demographic too.) There’s no evidence that video games cause — or even correlate with — violence, and that can’t be stated often enough. And one of the most pleasurable aspects of playing in 2012 was how many tremendous games had nothing to do with shooting people in the face.

'Anything Could Happen'

From Ellie Goulding:

Robert Stacy McCain once remarked of Goulding, "Wow. She could grind diamonds into sand with her pelvis."

'Scream & Shout'

At the recommendation of my oldest boy, Will.i.am and Britney Spears:

RELATED: At London's Daily Mail, "Going out with a bang! Britney Spears is sensational in backless bodice dress as she leads stars on X Factor red carpet."

Illiterate Rap Fans Flood Michelle Malkin's Timeline With Racist Misogyny

I was on Twitter when this was going down.

At Twitchy, "Rapper The Game and fans attack ‘racist,’ ‘bitch,’ ‘hoe’ Malkin and Fox News; clog Twitter with bad English, threats."

Are you threatening me, fool? NOTED. RT @therealgreeley @thegame @meekmill fuck this @michellemalkin bitch up
— Michelle Malkin (@michellemalkin) December 14, 2012

Background here: "‘Jesus Piece’: Have you seen the cover of The Game’s new album?," and "Fox News, Michelle Malkin brace for mass exodus of viewers as The Game urges boycott."

Modern Workplace Distractions

These are office and work-station distractions. Things are a little different in my profession. In the classroom much of my job is working to minimize distractions, keeping students on task. The technology is everywhere. Students must put it away or you'll have multitasking nightmares.

But see the Wall Street Journal, "Workplace Distractions: Here's Why You Won't Finish This Article":

In the few minutes it takes to read this article, chances are you'll pause to check your phone, answer a text, switch to your desktop to read an email from the boss's assistant, or glance at the Facebook FB -1.43% or Twitter messages popping up in the corner of your screen. Off-screen, in your open-plan office, crosstalk about a colleague's preschooler might lure you away, or a co-worker may stop by your desk for a quick question.

And bosses wonder why it is tough to get any work done.

Distraction at the office is hardly new, but as screens multiply and managers push frazzled workers to do more with less, companies say the problem is worsening and is affecting business.

While some firms make noises about workers wasting time on the Web, companies are realizing the problem is partly their own fault.

Even though digital technology has led to significant productivity increases, the modern workday seems custom-built to destroy individual focus. Open-plan offices and an emphasis on collaborative work leave workers with little insulation from colleagues' chatter. A ceaseless tide of meetings and internal emails means that workers increasingly scramble to get their "real work" done on the margins, early in the morning or late in the evening. And the tempting lure of social-networking streams and status updates make it easy for workers to interrupt themselves.

"It is an epidemic," says Lacy Roberson, a director of learning and organizational development at eBay Inc. EBAY -0.25% At most companies, it's a struggle "to get work done on a daily basis, with all these things coming at you," she says.

Office workers are interrupted—or self-interrupt—roughly every three minutes, academic studies have found, with numerous distractions coming in both digital and human forms. Once thrown off track, it can take some 23 minutes for a worker to return to the original task, says Gloria Mark, a professor of informatics at the University of California, Irvine, who studies digital distraction.

Companies are experimenting with strategies to keep workers focused. Some are limiting internal emails—with one company moving to ban them entirely—while others are reducing the number of projects workers can tackle at a time.

Last year, Jamey Jacobs, a divisional vice president at Abbott Vascular, a unit of health-care company Abbott Laboratories, ABT -0.24% learned that his 200 employees had grown stressed trying to squeeze in more heads-down, focused work amid the daily thrum of email and meetings.

"It became personally frustrating that they were not getting the things they wanted to get done," he says. At meetings, attendees were often checking email, trying to multitask and in the process obliterating their focus.

Part of the solution for Mr. Jacobs's team was that oft-forgotten piece of office technology: the telephone.

Mr. Jacobs and productivity consultant Daniel Markovitz found that employees communicated almost entirely over email, whether the matter was mundane, such as cake in the break room, or urgent, like an equipment issue.

The pair instructed workers to let the importance and complexity of their message dictate whether to use cellphones, office phones or email. Truly urgent messages and complex issues merited phone calls or in-person conversations, while email was reserved for messages that could wait.

Continue reading.

CBS News This Morning Broadcast From the House Ways and Means Committee Chamber

When I turned on CBS, I thought they were at the Supreme Court talking about the homosexual agenda. But upon closer look it didn't look like the Supreme Court at all. But then, near the end of the show, Norah O'Donnell came back on with this segment, "Ways and Means Committee: A look back in time."

The discussion of Wilbur Mills reminded me of my Congress seminar in graduate school. They used to call the powerful committee chairmen the "Old Bulls" of Congress, and none were more powerful than Mills. Folklore had it that even President Johnson and to grovel before the Ways and Means Chairman in order to get anything passed on Capitol Hill, including Medicare.

Billy Corgan Interview on CBS News This Morning

A very interesting piece. Corgan is articulate and funny.

See: "Billy Corgan on 'The Smashing Pumpkins' New Album."

Krazy Jim's

See this great post from Althouse, "'The passage of right-to-work legislation in the state House and Senate may have Lansing in turmoil...'":

"... but residents of Ann Arbor learned yesterday of a more immediate concern."

It's Krazy Jim's Blimpy Burger in Ann Arbor, closing in Summer 2013. But read it all at the link.

XM Shock Jock Anthony Cumia Boasts About How Everybody Wants to 'Throw a Banging to McKayla Maroney'

Olympic gold medalist McKayla Maroney turned seventeen yesterday, still a minor in California where she lives. But that didn't stop the "Opie and Anthony" radio host from bragging about how anyone like himself would love to "bang" her:

Any guy is lying if he says he wouldn't throw a banging to McKayla Maroney.The dishonesty in USA2012 is nauseating.
— Anthony Cumia (@AnthonyCumia) December 9, 2012

And there were lots more vile tweets where that came from, for example:

I want 2 apologize 2 McKayla Maroney & especially 2 her hymen. I didn't realize this thin membrane in her vagina was so important 2 her fans
— Anthony Cumia (@AnthonyCumia) December 10, 2012

Twitchy has the background, "Sick: ‘Opie and Anthony’ co-host tweets about breaking McKayla Maroney’s hymen; Update: talk show host doubles down."

No doubt Scott Eric Kaufman will be all over this story. Carl Salonen too!

'Zero Dark Thirty' Aims for Authenticity and History

Hey, "Hurt Locker" was very good. I'm looking forward to this one.

At LAT, "'Zero Dark Thirty' hunts for Bin Laden -- and more."

In 2008, the screenwriter Mark Boal sought an appointment with a retired special-forces operator. Boal was researching a movie about the fruitless search for Osama bin Laden in the caves of Tora Bora six years before, and he wanted insight into how U.S. forces gathered intelligence.

The agent agreed to meet, but under strict conditions. Boal would be kept in the dark about where the encounter would take place until just before, when he'd be given directions, via GPS, to what turned out to be a gas station. The meeting would be brief, and there would be no guarantee of an information exchange.

"I showed up and there's this guy by the pump wearing sunglasses," Boal recalled in an interview. "And the first thing he said was, 'Give me a good reason why I should talk to you.' And I'm like, 'Well, nice to meet you too, sir.'" Boal eventually cultivated other sources, acknowledging that as a Hollywood screenwriter it isn't always easy emulating Bob Woodward.'

The zigzag-y process that began at the gas station culminates in the groundbreaking "Zero Dark Thirty," Boal and director Kathryn Bigelow's searing dramatization of a different U.S. mission to target Bin Laden that ended successfully last year in Abbottabad, Pakistan.

When Sony Pictures releases the tense, dense movie on Dec. 19, "Zero Dark Thirty" likely will take its place alongside classics of war cinema such as "The Dirty Dozen," "Apocalypse Now" and "Saving Private Ryan" while simultaneously redefining the form. Few Hollywood action thrillers have contained so many documentary-style aspirations to truth and urgency — and so quickly after an epochal event, to boot.

And never before has a stone-cold-serious American war drama featured a woman both behind the camera and at its center.

"Zero Dark Thirty," in other words, could well stand at the vanguard of a new genre: the viscerally human but post-feminist (and post-political) war film.

Continue reading.

Duchess of Cambridge Pregnant

At Telegraph UK, "The Duchess of Cambridge's first pregnancy will dominate the headlines just as Princess Diana's did, says Telegraph Chief Reporter Gordon Rayner."

At at the Guardian, "A story is born - papers devote pages to the royal pregnancy."

BONUS: Back over at the Telegraph, "Duchess of Cambridge pregnant: hospital security blunder as Kate's nurse falls for hoax call," and "Hospital CEO: Duchess of Cambridge hoax 'deplorable'."

And from WaPo, "Australian radio hoaxers sorry for crank call to hospital treating Duchess of Cambridge."

'Gangnam Style' Christmas Lights

Via Theo Spark:

Hitchcock's Blondes

Here's MoDo, at NYT, "Spellbound by Blondes, Hot and Icy":

Certainly, the master of the dark side had “a murderous fascination with blondes,” as the British Film Institute once noted in a tribute.

And now comes Hollywood’s murderous fascination with Hitchcock’s murderous fascination.

HBO’s “The Girl” depicts the making of “The Birds” and “Marnie,” with Toby Jones playing Hitch and Sienna Miller playing Tippi Hedren, fighting off rapacious birds and rapacious director at the same time.

In theaters, “Hitchcock,” with Anthony Hopkins as the auteur and Helen Mirren as his wife and collaborator, Alma Reville, depicts the making of “Psycho,” with Scarlett Johansson taking Janet Leigh’s place in the shower to be stabbed by that crazed mama’s boy Norman Bates. (The long-suffering Alma at one point erupts at her husband about his glittering fixation, snapping that she is “not one of the contract blondes you badger and torment with your oh-so specific direction.”)

Next spring, A&E will run “Bates Motel,” a prequel series to “Psycho,” featuring a young, creepy Norman, with Vera Farmiga as his (blond) mother.

Why the fresh fascination with the man with the famous profile? Perhaps the more Hollywood churns out rancid movies, the more it appreciates Hitch, who never got an Oscar. (“They take sadistic pleasure in denying me that one little moment,” Hopkins’s Hitchcock says.)

When he was asked about plot construction, the martini-dry director would echo the advice of the 19th-century playwright Victorien Sardou: “Torture the women!” And the Brit would slyly observe: “Blondes make the best victims.”

Well, it's a nice start at the essay, but collapses after that in some post-modern cultural psycho-babble that's not very well related to Alfred Hitchcock. Keep reading at that top link if you're not bothered by Ms. Dowd.

What the heck? A good chance to post the video trailer. The movie looks good, in any case.

'Because the Night'

At Maggie's Farm, "Patti Smith 'Because the Night' Boston 11/26/2012."

'After age 50, pushing too hard is probably not good for one's heart or longevity...'

Well, I haven't been running lately, so I guess there's an upside to the latest science. At the Wall Street Journal, "One Running Shoe in the Grave: New Studies on Older Endurance Athletes Suggest the Fittest Reap Few Health Benefits." And from the report:

The most vocal proponent of cutting back for cardiac reasons is Dr. [James ] O’Keefe, a 56-year-old cardiologist and former elite athlete. From 1999 to 2004, he won outright the largest sprint distance triathlon in Kansas City, a testament not only to his athletic abilities but also to hours and hours of early- and late-hour training.

But a sense that this regimen was aging him prematurely, coupled with the mounting awareness of cardiac issues in extreme endurance athletes, prompted Dr. O’Keefe to slash his running to below 20 miles a week, never faster than eight minutes a mile.

Asked if he ever runs a 5-kilometer race for time, he said, “Not for the past three years. After age 50, pushing too hard is probably not good for one’s heart or longevity.”

Meanwhile, Dr. O’Keefe’s fellow author on the upcoming Heart paper, Carl Lavie, continues racing at speeds slightly above what their editorial recommends. “I did a turkey day five-mile race in 38 minutes,” said Dr. Lavie, a cardiologist at the John Ochsner Heart and Vascular Institute in New Orleans. “I train slower than I race, and when I race I know the risks. That’s all we’re trying to do: Let people know the risks and make up their own minds.”

More at the link (via Instapundit).

Facebook Censors Photo of Woman in Bathtub With Elbows Showing

This is an amazing story, at Theories of the Deep Understanding of Things, "This was probably the craziest situation we ever had to face one post created this unstoppable swirl..."

And at London's Daily Mail, "Given the elbow: Facebook remove risqué picture of blonde woman reclining in bathtub (whatever did they think it was?)," and Huffington Post, "Facebook Reinstates Image Of Woman In Bathtub – After Apparently Mistaking Elbows For Nipples (PHOTO)."

Ke$ha Gets Rockin' With 'Warrior'

At the New York Times, "Dancing Up a Storm but Dying to Rock: Kesha Tilts Closer to a Rock Sound With ‘Warrior’":

At the Third Encore rehearsal studio in North Hollywood there’s a wall decorated with photographs of clients who’ve prepared there for tours, legends like Robert Plant and Slash. In a room behind that wall, waiting while her band and dancers rehearse for a live appearance at the American Music Awards, sat Kesha, 25, a young woman who’d really like to join that swaggering pantheon. A hugely popular, if deeply polarizing, singer who ruled the radio in 2010 with No. 1 smashes like “Tik Tok“ and now returns with “Warrior” (RCA), the follow-up to the smash album “Animal” and its EP supplement, “Cannibal,” Kesha would be filed under dance pop by most people. So it’s surprising to discover just how much reverence she has for the rock 1970s, an era that ended seven years before she was born.

For instance Kesha’s look today was inspired by Marc Bolan of the glam-rock band T. Rex. “I was watching a documentary on Bolan, and he’s wearing all these funny suits, and I was like, ‘I want to wear a funny suit,’ “ she said. She was sporting a black wide-brimmed hat with a pink rose nestled in it, a black jacket with a garish floral pattern and a pimplike extravagance of rings. Strangely, though, there’s no glitter, one of Kesha’s trademarks and an affinity she shares with that long-dead rocker. And like Bolan, Kesha practices her own androgyny. The persona she developed on “Animal” parties hard, trash-talks and treats conquests like sex toys, just as male rock stars have done for decades. But precisely because Kesha challenged double standards by seizing male rock’s license to misbehave, she became a lightning rod for contempt.

“Oh God, I have so many people who hate me, it’s unbelievable,” Kesha said, her laughter tinged with discomfort. “It’s the main reason I don’t go online.” She added, “There’s people who want me to die.” The Web abuse includes hate blogs and a patronizing video skit made by a Princeton humor magazine in which the poet Paul Muldoon analyzes “Tik Tok.”

Attributing her use of rapping and AutoTune to an inability to sing, detractors assumed that Kesha was a manufactured puppet. Actually she jointly writes her songs, supplying the lyrics and most of the vocal melodies. The rap element, influenced by the Beastie Boys, and the gimmicky use of AutoTune effects, inspired by Daft Punk, were deliberate choices. As with other female stars with over-the-top cartoon images, like Lady Gaga and Nicki Minaj, the persona is her own creation. “Kesha” is an amped-up caricature of Kesha Sebert’s real self and the feral lifestyle she was leading here at the time “Animal” was recorded. And whether you find her trashy antics annoying or refreshing in a pop era of anodyne glamour, there’s no denying that Kesha’s music caught the mood of embattled hedonism in post-crash America. Her live-for-now stance, in songs like the current hit single “Die Young,” made her pop’s YOLO queen two years before that acronym, which stands for “You only live once,” became a rallying cry for let’s-get-wrecked recklessness.

Discussing her potty-mouthed, Jack Daniels-swigging image, she said: “You must realize by this point that I’m in on the joke. I know I sound like a jackass half the time. I do it on purpose.” Actually Kesha seemed not very jackasslike that evening, but reflective and earnest. Flashes of the flirty playfulness of her videos were offset by hints of vulnerability.

Robin James, a professsor at the University of North Carolina at Charlotte who writes about female personas in 21st century pop culture, argued that messy hedonism is treated differently when the perpetrator is female. “If you look at, say, Judd Apatow movies, the women have to be responsible and stable and pursue careers, while the men get to behave badly,” she said. “But when women are irresponsible, they get punished for it.”

Continue reading.

'Gangnam Style' Video is Most-Viewed on YouTube

Well, it's pretty gay, so no surprise.

At the Los Angeles Times, "Psy's "Gangnam Style" video is the most-viewed video on YouTube."

Bethany's Black Friday Shopping

Well, this is much more relaxed than Walmart in Georgia: